The Wild Muse

wildness, wonder, and the spirit of place


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Hallelujah: Why Established Artists Matter to Poor Kids

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It was 1994. I sat in my grandmother’s bedroom, comprising poems on her old typewriter. The one she used for decades. It was that year I would travel to see my favorite songwriters and artists, time spent on a road that was so unfamiliar to this rural Indiana native.

That summer, I met Leonard Cohen, Henry Rollins, Tori Amos, Nick Cave, and a host of other musicians whose music kept me hopeful that there was a way. A way out.

Not only were these artists meaningful to me, they actually found meaning in what someone – a 20 year old poet – had to say. I spent hours talking over coffee, dodging chaos when opening acts like the Beastie Boys usurped Cave’s more intellectual performance, and hounding after their gifts like the young do. I even had late night calls from some of them who wondered who the hell I was to reach out in such a less-than-adoring way.

As a 20 year old, what loss could I expect from this interest in idol gazing?

There were no idols for me in the cornfields. Nothing, at that time, occurred to me to be worse than what I existed with and through.

Egoless and wonder-filled, I made contact. I rode through storms and uncertainty to meet them – people I longed to be.

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It has been years since I have bothered riding tour buses, leaving comfort at the door to follow the lead of musical and poetic influences. Years, too, since I felt that same glistening, abundant hope that I could rise up from my status and be among them.

When Cohen died, it hit me – not the death, nor his honorable welcome to its touch. What struck me is that there is so much need for beacons among us. For those who take the time to call up the ones who are forgotten, to realize our deepest fears and noblest truths.

What gets you through is not what your experience is, past or present, but that which can be…like Diane Lawrence’s artwork for Cohen’s The Future album, the heart is guided by hummingbirds or handcuffs.

I wrote recently that I no longer believed in the value of hope. I take those words back.

So, thank you, Mister Cohen and all those who took the time to make my life bearable, believable, valuable. Our stories find the light, always.

There’s a blaze of light
In every word
It doesn’t matter which you heard
The holy or the broken Hallelujah


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Everything Grief Demands

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“…he knew even then
he would leave us. Black trees, black vines spilling
across tarmac. The promise of disappearance,
the deepest breath.”

from Still Life with Damnosa Hereditas and Dark Constellations, Sandra Meek

I lost my father two weeks ago at the age of 62. It was unexpected and left my siblings and me reeling, trying to grapple with the reality of the sudden death.

Bargaining is of course one of the most predictable stages of grief, but I couldn’t help but want to strike a deal with the universe. My dad had finally started to come into himself, to soften, to connect with loved ones and the life he wished he had led.

I am sad and sorry he didn’t get to backpack the Uinta Mountains again or make that promised road trip to the West.

The author Haruki Marakami said, “In a sense our lives are nothing more than a series of stages to help use get used to loneliness.” I think that is one of the truest statements on what aging feels like, and I have felt the impact of this unavoidable progression since I was young.

The longer one lives, the more acutely intimate she is with the ultimate truth of life, its essential aloneness. When we lose others we are reminded of the final and most important act of aloneness, dying.

In that, I hope those who die young are spared some of the ache of loneliness. Some folks don’t take to it well, and my dad wouldn’t have been one who did.

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Until You Fall

When people I love die, I dream of them falling. I never know where they are falling to, or into, or out of…but they fall. I try to catch them. They sometimes beg me to, but I cannot.

When they look at me, begging and falling…all I can do is watch.

I think death, or at least the initial departure, must feel like falling through unseen territory. Some welcome the fall, relieved to be weightless and free, some struggle. Maybe they always secretly preferred the earth to the sky.

I am certain I would be one to struggle. The ocean frightens me with its overwhelming and infinite waves – and the thought of free-falling through air is terrifying – nothing like angels or birds with their soft promise, just a dull stone hurdling into darkness.

I have always been an earth beneath my feet woman. Dry earth, rock, root, flesh and bone…things to cling to…none of this ethereal business. You can keep your heavens and waterworlds.

The Thing About Walking

I got up at twilight and headed out on one of my favorite trails, right in the heart of the city. It runs through a corridor of the North Mountains and creates a sense of wildness – even in an epicenter of 4 million.

Walking is myimg_3076 way of coping with hard times. Movement is my therapy, particularly when I am stuck in anger, and I have been angry since my father died. Some reasons are personal; some are sadly becoming more universal.

You see, my dad stopped taking his medications because he couldn’t afford them. He worked in public service for years, but retired without a pension or any savings. He opted for paying his bills over taking care of his health. To think of this makes me enraged. No one should be forced to choose debt over their health.

My rage, in part, is that I find myself in a similar situation: how can I afford insurance; how can I NOT afford insurance? People who work very hard all of their lives end up penniless and desperate. This happens all of the time and no one likes to think of it unless it comes down like a fist upon them.

I pondered these injustices up on that ridge. During this time, I watched as a bulldozer edged the semi-wild, yet most precious terrain, heralding another new housing development.

It is so like us to be plowed under, obedient…

Being here, among city sprawl and the busy lives of busy people, I am reminded of the land around me and all that has been lost…all that modernity has buried.

This culture has bulldozed its apathy upon us. And it is only when our own heart is breaking and the anger demands answers, do we feel the scrape of the blade cactus face (1 of 1) and grieve for everything that has been lost.

Into Another Life

That was not the story I wanted to write. I am tired of writing about poverty and death, the loss of land and clean water, the indignity of making the “lesser of evils” choices.

I would rather tell a story of women washing auburn hair in a cold creek, or one of children with full bellies and the ability to sleep peacefully; of firefly illumined fields and hollows.

But, I am not a believer of fate. Any wreck you pass, there was a cause and an effect. The stars do not conspire against your happiness any more than mine.

While this anger hastens, it is the story I write – it is what I must walk and sing and offer up. That is the burden and release of grief, to bring us down to the last ember.


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Lands of Exposure

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Indiana Field, A. Sato

“Therefore, the places in which we have experienced day dreaming reconstitute themselves in a new daydream, and it is because our memories of former dwelling-places are relived as day-dreams these dwelling-places of the past remain in us for all the time.”
― Gaston Bachelard, The Poetics of Space

When I was a young girl, I used to spend many hours sitting on my grandparents’ porch, gazing at the wide field across the road. The field seemed enormous then – and frighteningly as vast as space itself. I remember a distinct sense of loneliness as I looked across that empty space and watched the sun descend. At the same time, just under the loneliness, a sense of hope, of fullness.

It’s been 6 years since I have been back. The old house is now in the possession of another family. Things, as they do when we age, seem smaller, more contained.

The last time I was there we said goodbye to my grandfather and buried him on the edge of yet another field, familiar as home since the bones of many family members rest there, too.

Before returning to the desert, I sat at the edge of that field, among violets and freshly mowed grass, and breathed in the enormity again, the space that made me feel so small against it.

I was born a child of the woods. Open space, more than the darkness of dense pine stands and overgrown creek beds, seemed to contain the elements of childhood fear: exposure, vulnerability, and enormity. In the woods I was never alone. I was surrounded by brother trees and sister animals – deer, feral dogs, squirrels, cows. In their life was a recognition of my own.

But something happened. I grew to love vastness.

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Creosote Hills, A. Sato

Throughout my adult life, my choices have always led me to the assurance of fields, prairies, deserts – perhaps to finally embrace the price of life, complete vulnerability to it.

As I now gaze across another vast terrain – one of thorn and rock – I still seek that fullness, that hope I felt as a girl on my grandparents’ porch. To meet the emptiness feels like surrendering to something more powerful than my hemmed in perception and fears.

No matter where I am, the edge of a verdant field or beneath a burning sun on blackened rock, there is always space – and in this space, possibilities beyond the imaginings of a girl and the regrets of a woman.

I know what it is I seek there… comfort.


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Canyon Meandering: Pondering the Fool’s Journey

“Not a shred of evidence exists in favor of the idea that life is serious.” Brendan Gill

To be foolish…00-the-fool
we throw our shackles of perceived security off.
We follow the singing of a brook or don masks under oaks in their spring foliage.
We may even chase a butterfly over the precipice.

Life is a grand adventure. Yet many try to shrink it to fit a narrow view.

Holding on, we anchor ourselves to false certainty: the true love, the children, the home, the job, possessions that we pile and monitor with the eye of a dragon.

But the uncertainties, those goblins, have a way of ruining everything.

Stay.
Try again.
Try the same thing again.
This time it will work.

They whisper to us through fear and doubt.

My goblins of uncertainty are habitual responses to loss – or, not letting go of loss. Hanging on by its dead roots, I have stayed near the ground. Not moving, not growing, and certainly not chasing the tempting butterfly that might lead elsewhere.

Where? the goblins demand.
What will it be?

And what if there is pain?

****

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I awake again to a midnight moon – a fool’s half-moon – in Pivot Rock Canyon.

There is perhaps nothing more apropos of the Fool’s wanton adventure than being outdoors – particularly alone, and definitely in a deep woods (the wilder the better).

To expect the unexpected is an unspoken mantra. Whether sleet, hail, or lightning strike or the myriad animal attacks a wanderer is warned of, the journey must always entail a bit of tangled vine and claw-print.

Traces of a late night visit leave imprints of Ursus americanus in my dreams and in the soft earth near the creek.

Instead of Bear, I am startled awake again by the clumsy arrival of revelers – unprepared families arriving late, to camp at 7000 ft, t-shirt and shorts, no idea where they are.

It’s 30 degrees here. Spring comes late to the Mogollon Rim.

The smoke from their fire and the shouts between camps sites keep me awake, wishing it had been Bear instead of Bipeds.

Most early spring nights as these, the woods are empty of other people.
Time to laugh it off, despite my annoyance. Time to wander away from the road. Next time, I will pack in to where no others like to go.

At least, no human others.

Between the cracks of ember and beer cans, I remember the mating call of a mountain lion that echoed down from aptly named Wild Cat Spring, just below a still bustling highway at dusk.

WildCat_trail2 (1 of 1)But now it is only the campfire that hisses.

Be prepared for anything, the Fool laughs. Rather, be unprepared. Be surprised.

The Fool is also the joker who reminds us that anything can happen. The joker’s wild! Remain accustomed to glorious catastrophe. Follow the stars, unshaken by the precipice below our feet.

***

The thing is, the view from home is fixed, the known road is comforting.

But the elsewhere. Elsewhere is a game of chance, and with any game there is a loser – a jester sitting in a pig sty, hat askew, wondering how the hell he got there.

Nonetheless, he dusts himself off and back to the journey he goes.

To the wanderer, home can be hell, and nothing more painful than stasis.

Out there are stories.
Stories that make the storms circle and the birds squawk.

Stories for nights in canyons without sleep.

It is time to pick up the bindle and head off for the tantalizing depths of another adventure.


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One Morning, A Stranger at Home

Sierra Estrella View - A. Sato

Not Yet There – A. Sato

The onyx hour of those forgotten
gods of the earth who haunt the fire.

It’s 6:55 a.m. and the first light of morning appears above the familiar hills and peaks of the South Mountains in Phoenix, Arizona. I have hiked into the western edge of the San Juan Valley, currently closed off to bike and car travel and thus creating a secret spot, an oasis of quiet for now. Many wild species have taken advantage of this unusual pause in humanity. Javelina run across the pavement, shitting on roads and under ramadas. Coyotes yawn, unmotivated, along rock walls.

My presence is neither startling nor appreciated. Wary gazes and increased movement attest to this.

From a granite boulder, I watch the light fall across a cluster of cholla and brittlebush whose blue-gray leaves are the color of calm to me, if color could be assigned to a state of mind. Six coyotes take their places along the opposite ridge, watching me as I watch them. Together we listen to the old morning song of a grandfather Great Horned… all owls seeming ancient, a forgotten species of gnarled bone and pale-faced time.

South Mountains - A. Sato

Ocotillo – A. Sato

Looking at the Sierra Estrellas, I consider my place here, or rather my lack of place. As the city swells itself into a greater beast, highways dig their tracks where stands of mesquite and creosote fall. We make way for more neighborhoods to plop their massive girth atop old habitat. The mountains, oh the mountains, wait patiently for human time to tumble, our animal selves to collapse and with it, all of our concepts and ideas.

Is this the mountains’ dream, or is it just the dream of a tired misanthrope?

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Cloud Hill – A. Sato

Coming here, I am a stranger. By saying home, do I make it so? Many people would say yes, but I have my doubts.

I grew up among tulip trees and farms, verdant hills of hay and soybean, ponds and cattle. I slept beneath the field’s wide skies and woke with dew on my sleeping bag. I rested with the song of whippoorwill and cricket. I never had to long for the smell of rain, the touch of moisture. I spoke to deer. I sang to yarrow. I wandered the woods, consumed with its treasures.

Given that watery upbringing, it might strike you as odd that I am now not only infatuated with the Sonoran desert, I am distinctly and inseparably tied to this arid place.

The rain I follow in small hollows of granite, fleshed into pockets against long washes, is water enough. These tinajas, now known to me as intimately as the smooth flesh of deer—the food of my people, the bane of every Midwestern driver. I rest here, against the cool stone, as the heat of the morning warms my skin.

The desert and I had an awkward introduction.

I rambled with the shopping cart wheels and asphalt of my first desert home, where my family spent a short year bargaining with the devils of pipelines and job-promise. My Las Vegas childhood… holding the prize of stuffed toys tight while the adults swam in their longed for loot and oppression.

When I think back on this time, I remember metal screen doors and blinding aqua pools with too much chlorine and chipping paint. Is this also my origin? Or can I claim a desert that has no history for me?

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Search Light – A. Sato

I have friends who can trace their ancestry here for centuries—before the settlers, before the promise and betrayal.

I look out upon these foothills as the city spreads, filling everything with its plastic and concrete. Can I make peace with my body here—like the manicured palms, the asphalt, the ever-encroaching unrest that stitches the hymns of us together?

Animals of great distance—how I love their propensity for movement. We, too, are a moving species and our stories of creation, in turn, create us—give us place to our wandering, order to chaos. We may fall from the sky or sprout from the ground or be born in the image of… but in the end we are animals of movement.

No matter how much our minds long to connect us to place, we have—at some point in time—been the wanderer, the interloper, the dreaded other.

Many wanderers and scientists, story tellers and poets tread lightly on the topic of home. Untethered and centuries away from place, there remains an ache to find home, and so the sweeping topography of earth becomes that destination.

The problem therein is the problem of the wandering animal—the humanity that propels us across the next geographic barrier, the next country, the new.

When I was a girl, my family was too poor to own anything, but the countryside itself was ours, a place of unbridled adventure—a challenge to not be caught between one man’s field and the next. We swam in ponds owned by farmers, slept in the shadows of stone quarries, ventured beyond the boundaries of national forests, and walked the deer paths of unintentional wildlife preserves.

Places we call ours, places we call theirs. Among other animals, these fables matter little.

Cholla Morning - A. Sato

Cholla Morning – A. Sato

When I was a girl, I longed to be a woman of movement. I wanted to continue to climb over fences, to follow the call of the spellbound hawk, the night-silent owl, the mouse who made his bed wherever he desired.

My mythology is not to be replicated here. I have no claims to make, no flags to plant. Being in the desert is the closest I have come to feeling at home. A child of coal mines and forgotten lineage, I can only hope to know the stories, my place among these stones.


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Nest of Charms, Places We Call Home

Indiana Morning - A. Sato

Indiana Morning – A. Sato

*Originally, written for SageWoman, Juniper & Crow blog

“Home is a name, a word, it is a strong one; stronger than magician ever spoke, or spirit ever answered to, in the strongest conjuration.” – Charles Dickens  

“We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.” – Gaston Bachelard

Home casts its spell over us long before we realize the gravity of its enchantment. The walls become the blanket between our body and the enormity of the universe. The windows bring in the sun’s warmth and the stars reflect their mirrored points in all directions. We mark the voyages we will take by the courses of our return, the ways we navigate back to home, again and again.

Coyote Hills - A. Sato

Coyote Hills – A. Sato

We rise from the same bed every morning, responding to the call of a new day or the single threatening pulse of the alarm. We are performing a ritual when we wake, make our coffee, brush our teeth. We skim the news headlines of the outside world, updates from friends in other continents. We wrap ourselves in our nest of charms and try to escape people whose lives are rife with tragedy. Wars, famines, regimes, brutality… these are the terrible fates of those far from our home.

But what is home exactly, if it is not the static entity composed of brick and mortar?

For every one of us, the definition of home changes. Home has changed for me several times over the years. No longer are we remaining in one home for several generations (or even a decade now), but rather choosing the mobile life of modern nomads, seeking better paying jobs, greener pastures. Perhaps that is why we long for a concept or a story of home, rather than rely upon our grandparents’ concept of place? Perhaps, too, that is why we cherish our symbolic homes of memory, heart, spirit, daily rituals that are veiled in consumption and desire, from that morning Starbucks coffee to the Lake Tahoe family vacation.

Home, therefore, must come alive throughout our day, in the acts that create comforts no longer found on the family farm or in our father’s home.

Home as Memory

“Home is in my longing…”
“It was the home of my father, where he grew orchids…”
“We built this home when we were married, almost 70 years ago…”

Abandoned II - A. Sato

Abandoned II – A. Sato

Today is my grandmother’s 92nd birthday. I spoke to her while driving down from my two-day sojourn to the craggy, rugged canyons of the Dripping Springs Mountains, where the last of the Arizona monsoon rains poured through granite and limestone. This is a place where I once followed mountain lion tracks into the chaparral forest of scrub oak and manzanita, searching for that wildness that needs me, that I perceive to need me.

I am never ready to leave these places, these forests of imagination – landscapes that hold more of my devotion than calculated homes in the arms of lovers or friends. Here is a longing of the sailor setting off to sea. Here I am uprooted yet devoted.

What is home?

My grandmother’s voice on the end of the line spoke of an angelic recollection of her 70-year marriage, never quite ready to depart. She spoke of memories of grandchildren dancing with fireflies near the garden, the rough hands of the man she loved for years – those spaces that nothing now can fill.

We whisper apologies to the now, knowing we – in our angels’ arms – can never begin to be present. Everything builds upon itself, after all, stone by stone.

To the paramour of memory, home resides in the photographic stills of brothers and sisters, the grainy film traditions of Christmas trees or holiday exchanges, memorabilia of births and deaths. These conceptual homes drift in and over us. They are never permanent and never quite the same. Memory, it is said, works in pleasant states. We remember with greater clarity those moments of joy than those of pain or ache.

Our brains, in essence, carry the nostalgic home of our past into the future, residing with us as identity, an unfulfilled longing to re-create but to never grasp totally.

Going No where - A. Sato

Going No where – A. Sato

Home as Mirror

Home as an object – We are expressed in the things we adore, in the things we adorn. Favorite antiques, a trunk containing our grandmother’s wedding dress, our kitchen table where we share our bread and wine. Objects of desire. Objects that reflect our layered years. From the first snipped locks of a child’s hair, to tea pots, to grain piled high in a barn loft, these things contain a bit of soul. The orchards in July – can you smell them now?

I remember my face pressed against the cold concrete blocks of the root cellar, where jars of tomatoes, green beans, new potatoes, and pickles lined the interior wall – cobwebbed walls that smelled of home, the secret place of my hiding, the fearless place of darkness.

We spend our lives looking for these places reflected in the outreaches of another’s world, in cobble-stoned streets of tourist towns, in the slight hope of recognition. And, when we find them – the traces of familiarity looking back at us, we hold tight to the closing space.

It is the nearness of home we seek.

We look for a spouse who holds within him the odor of crushed rosemary, the scented walls and tumbling paths. We want to find mirrored places: the way a new house reminds us, if only in angles and arches, of who we once were years ago.

Reaching - A. Sato

Reaching – A. Sato

Home as Spirit

“A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one’s suffering, though it may seem to be so. It is a longing for home… for new metaphors for life. It leads home.” – Hermann Hesse

My life has been composed of symphonic wandering – a music of movement. For those of us called to the road, home is a most curious and confusing of concepts. We are nomads, fixed only to our own soles. Many misunderstand us. Even more accuse us of not being drawn to place, committed and devoted to one single plot of land. I would argue otherwise.

In wandering, one may come closer to Self, just as the home can mirror Self. On foot, we may feel even closer to the truth of existence. As strangers, we hold no allegiance to one place, but we are also untethered to stogy, logged opinions and facts. We may walk through the woods and see familiar faces: lupine, dayflower, aster, grey fox, white-tailed deer, bobcat.

Likewise, the strangers among the streets of Denver, Chicago, Portland find their rituals in an old map, a street that beckons, conversation dancing over the heads of commuters on trains. Home is on one’s back, in a deep purse, or simply sheltered in the heart of the adventurous.

There is an underlying spirit to being fully aware in the world.

Ascetics live with very little in order to remove the common desires and cumbersome load of things. People remove the soporific weight of drugs, alcohol, tv, mindlessness in order to go deeper into themselves, into the naked, exposed, yet spirited real. Pagans and mystics, earth lovers and roaming dreamers cannot contain the world within –

It tumbles down into our lives, filling us no matter where we lay our bodies down at night.

Stone - A. Sato

Stone – A. Sato

Home is spirit, a spiraling sense of wonder within our truest nature.

We are a nation that seeks its rituals and habits, yet has lost the magic of places that claim us, places we give ourselves to and commit to for our lifetimes. But, home is in our common existence and our daily yearnings. It is not forever and never so grounded it cannot go for a walk or daydream.

Perhaps this is the mistake we make – looking for those familiar hills of our youth, as if we can picture them so completely, we might return – just one last time. Home is…


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The Fields

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* The Fields first appeared in the Winter 2014 issue of Plant Healer Magazine

“The morning air was like a new dress. That made her feel the apron tied around her waist. She untied it and flung it on a low bush beside the road and walked on, picking flowers and making a bouquet… From now on until death she was going to have flower dust and springtime sprinkled over everything.”

― Zora Neale Hurston, Their Eyes Were Watching God

 

“Let your fiction grow out of the land beneath your feet.”

― Willa Cather

It’s early morning. The sun has not yet ascended. I am in the field – a field of my own imagination and freedom. The night has meaning that I am not obliged to compose. The night is a terrible myth only the healing fields can erase. My siblings are asleep. My mother is nowhere. I don’t know her and she left years ago. My father is at work. I am only 16, but I know how to run a house. I know how to evade misery and I know how to dream.

The horses in the field are aware of my escape. They are sleepy with my visions. I come here to talk to them, to tell them how a girl will one day live in France. I am a wanderer, but I am always married to these woods, to the pond, to the strange flight of swallows and the pervasive faces of Black-Eyed Susans that lean in and surround my victim heart. They tell me I can bend in this. They tell me that the harshness of being alive will scatter my song into fields I can never dream of knowing. The Queen Anne’s lace agrees. She knows I look west – how can I not? The setting sun means that this day is over, and I wanted only just to get through the day then. I wanted the pull of tides and the warmth of the dry earth to tell me that it will be over… soon.

At night the sound of bullfrogs in unison keep me company – the earth’s drums. Fireflies light their way through paths of dogwood, sassafras, and walnut trees. Black walnuts, I will learn, are bitter but make wonderful stain for the bodies of guns and the hair of bold girls who hate their golden locks. All autumn I will watch the men of my family bbeaversbluff3oil up the walnuts over an open fire, then use the stain on their muzzleloaders. It’s deer season. The trees are in full fall plumage and the odor of fireplaces and errant embers blankets the terrain. The fields are aglow with gold and bronze –between the black dots of cattle, the wheat and grasses burn across the landscape and rise into the outline of crows and trees, the somber shades of a darkening season.

The family, the home, doesn’t control everything that happens in childhood. I, being the oldest of so many children, never felt contained by the rooms and routines of the domestic life. I felt alone among my childhood walls. In the fields, I was with the world. The sun’s gracious warmth and the nocturnal ballads of screech owls and cicadas filled my young life with a social song of otherworldly friendship – of love that would not come with high price and cold reality.

During the summer months, I would climb over limestone boulders to swim in abandoned quarries filled with years of rain. There was a danger in those stones I knew in every step – the boys who would circle around us girls, staring at our breasts, groping for pleasure in the moonlight of expectation and longing. A fox sprite, I would scramble across each boulder, half-clothed, ignoring the admonitions of danger – the very real causalities of abandoned places where several wanton youth perished or injured themselves with a false step or an ill calculated dive. Still, I would not fear stone as I would fear the circling of humans, the risk of love.

Summers were spent on horseback, exploring the woods that surrounded the 40 acres of farmland I grew up within. My friends and I would spend hours lounging on the mossy earth, making pinwheels from the flowers of the giant tulip trees that lined the yard. Abandoned houses stood exposed in their brick and stone secrets where we found incredible gifts of the past: old school books, clothes, rotting trunks, fabric, discarded chairs…. Climbing the rotten steps and inching our way between holes in floorboards, we asked the Ouija board about our future. Would there be love? Would there be children? Even in asking, I knew I did not belong to the stories of these girls, my then friends. I knew the woods spoke to me of something else – and named me what I could not name myself.

Like a bell jar over these scenes, I uncover the sensory memory – this place belongs to me just as I remain there. I have trouble remembering the names of schools, teachers, and old friends. I cannot tell you one fond memory of high school, but I can walk you through every branch, every cornfield, and every sinkhole with its murky mystery with impeccable clarity – the use of every sense, the body-knowledge of a wolf.

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As a child, I waited in fields for some salvation from the human world. As a child, I thought little of erroneous pop culture myths and urban pressures. I knew only these fields that carried a song across veins of stream beds. I collected arrowheads among clay and sandstone alcoves, high above rivers. There were ancient others who understood the seasons and gave voice to the living world. I longed to know these people. I dreamed they would come and find me, waiting there among the eroding banks.

There is something innately spiritual and mythical about land and water, plant and sky. The earth asks us to both dig deep into our roots and find peace but also to explore the limits of life on the surface – to know that life is harsh and lovely, unfair yet fully present. There is very little within me that did not directly grow from the pleasure of place. As the fog of violence entered in, I managed to remain truly connected to hope. Survival was all around me. The young of other species were not spared. They adapted or died. I took this lesson in and held on, used my wits, and stayed rooted in the brutal beauty of life.

I was a girl of fields. I was a girl forced to become a woman too soon. Yet I remember being in those apple orchards with the bees looming between my footsteps. I remember picking rhubarb for cobblers; hiding between grapevines to jump out and scare my brother… these were the memories that formed my identity.

If my writing has some greater purpose or some message to share, I want it to be with the desperate child who has no wild ally, the lost one who has no land to adore. This is one who – unless artificially protected – will not adapt and therefore stands a greater chance of passing tPicture 270he violent lineage on through commerce, procreation, and self-abasement. This is the dominance of a hopeless world of acquisition and subterfuge. This is the one who comes to a visual feast of delight with no eyes.

The last time I visited the hillsides and fields of Southern Indiana, I spent some time at the grave sites of my ancestors. The church cemetery, I couldn’t even begin to show you where it is on a map. I only know how to get there by the blood pulse of who I am, instinct. This is a resting place of farm families and Depression era babies, of Welsh and French miners. The place is thick with ferns and Virginia pines. Everything is tinged with moisture and I am still in love with the smell of damp earth, something my Southwestern home has never been able to provide.

Across from the cemetery, there is a field that has been used by farmers for several generations. Not one building has stood on that soil. I have my sleeping bag and a telescope. Under the barbed wire I slip and find a good place to bed down for the night. Already, the cold has settled in and the cicadas have descended. Grasshoppers share the warmth of my bag – the sky above: blackness and stars. Who can say what home truly is, what defines the domestic? Is it the family, children? Is it a house we work hard to buy? Or a lover to bring us into our own senses through touch and giving?

In these fields I was alone, but I was home. I did not care to run or spoil the moment with worries about my life. It did not occur to me to want to be protected, or in dreams of France or some other country. I nestled into my bag – where the girl met the hold of the earth – and slept like someone who has found genuine belonging.