I find myself sitting on my bed today ugly-crying while listening to a Don Henley tune. You know things are bad when you pull out every loser song you can think of to drown your sorrows in the finest pop of the 1980/90s.
Broken hearts. They suck, don’t they?
My expectations got a little grand over something that wasn’t real. It probably never was real, but being a fanciful creative, I thought it was. This is why magic can get in the way. I was talking to my dogs about what a great life they have not having to worry about crushes and broken hearts, confusion and angsty lust. They seem to be so contented, why would they bother to delve into the disgusting world of modern romance? Why do I continue to do it!
It’s ok, I say to myself. Everyone gets hurt from time to time, and what was I thinking? It’s ok, I say, but it is not. Being in the first year of recovery, my heart is an open wound. “Don’t go there,” wise women warned. But I did. I lost face.
This is not the morose post I intended it to be, because I still find some humor in my circumstances. At 45, I should know that wishing muddy water would become clear by wading in it just won’t work. Still, we wish. I wish.
I think there is humor in pain and wisdom in wading. Instead of crying, I compiled a sweet list for lonely hearts on what to do when your heart is broken. Here’s to us! xx
50 Things to Do When Your Heart Is Broken
Listen to Don Henley songs.
Dress like Ozzy and say it’s your new look.
Send him/her queen size panty hose, an emu, double-headed dong, rank cheese, or whatever you fancy – it’s the thought that counts.
Practice slipping on banana peels so you can do it authentically.
Compose a limerick.
Find a hobby, like Irish dancing or ghost busting.
Become obsessed with Fran Drescher.
Make your own pasta.
Know that this too shall pass (like stool).
Try on bathing suits (that hurts worse than the broken heart).
Grow your armpit hair.
Flirt with everyone. (That 79 year old mailman is looking less decrepit these days.)
Go to the movies alone.
Make a collage of hateful thoughts.
Listen to your mother.
Laugh at inappropriate moments.
Get to know your home town.
Put lipstick on a pig.
Go gay, or a little gay, or straight, or just be gay. It’s all good.
Get new underwear.
Use 80s slang in the office.
Adopt a shelter dog (just do that anyway).
Volunteer (stop thinking about that asshole and volunteer).
Reenact Casablanca with puppets.
Tell everyone he or she is dead to you, then wear black to every gathering.
Get more sun. Energy vampires probably don’t like the sun either.
Do that thing you always wanted to do, but were too scared to do it.
Don’t drown your sorrows…dry them, like beef jerky.
Lend a listening ear.
Be the sexy mofo you are.
Change a habit.
Make a list of why you are a great catch. Believe it.
Get your heart broken again.
Pan for gold.
Take lots of bubble baths (water is cathartic).
Stick with your friends.
Focus on creativity, whatever it is for you.
Make a mixed tape of empowering songs.
Buy yourself some toys (you know, wink*wink).
Love more, not less. Because you will get way over this, sweetie. You will.
The woman I was four months ago was close to death. From her bed, she watched days pass, nights eclipse through the shadows. I see her now as I would watch someone moving down a long hall. Her contorted face forms a silent howl.
She comes to me when I hear a song, or remember a moment lost in a blackout. When someone reaches out for help from the grip of despair, I know that grip that constricts everything.
Being new again, to life, is more difficult that I can convey. Light and sound pierce me, like I was rescued from a mine shaft after spending days in darkness. Life itself seems too loud and too close, but I am learning to live with the fullness of it.
As a sober woman, I look at the past as shattered glass – and the fragments do not have to be my weapon. Each one holds a precious mirror of what moments are like if I choose to return to them. Instead, I hold them gently and whisper that something else is being pieced together.
I live my life by hours. Hours are easy. Each one is as full as I can make it, and made fuller when I hold my dog, or watch the Cooper’s hawks at the park, or talk to friends. The road to recovery is hard, but it is full of unexpected joys, small moments where I can actually be present and alive.
Not everyone gets to experience a complete breath without pain.
To be free from pain; that’s a type of happiness.
I want to return to the woman in that long hall and hold her until the howling stops. But for now, I live my hours and nurture them.
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The trees reflected in the river – they are unconscious
of a spiritual world so near to them. So are we.
– Nathaniel Hawthorne
I seek out herons each morning, particularly the small green heron that graced the park over the summer. A neighbor saw a male arrive a few weeks ago and witnessed the most beautiful dance between the two herons, a mating ritual. Since then, we have not seen them.
As I sit beside the water’s edge, I imagine those two lovers busily building a nest on the Salt River, a river that used to run wild.
While I was looking closely for birds, I noticed the surface of the water and all of the life embodied in it, from the algae to the variety of insects that skipped over its surface. An iridescent dragonfly rested briefly on drift wood. A snapping turtle poked his head through the clear surface, creating small circles on the once still water – element meeting element.
The solitude of ponds, the ferocity of desert rivers in a monsoon, the arroyo holding deep pools of forgotten rain. These are the sacred moments, the natural movement of water. Water is not simply among us, it is us.
Except, we don’t see it that way. We turn to witness the degradation of dams and artificial pools meant to control, tame, and harness. How have we become so lost that we deny this essential God? Thinking we rule over it because we have the periodic table, we have its power.
We believe that we lord over all things, but the day will come when the tides change, as certain and abrupt as water.
Water is life’s mater and matrix, mother and medium. There is no life without water.
– Albert Szent-Gyorgyi
Estuaries are a happy land, rich in the continent itself, stirred by the forces of nature like the soup of a French chef; the home of myriad forms of life from bacteria and protozoans to grasses and mammals; the nursery, resting place, and refuge of
– Stanely A. Cain
A river seems a magic thing. A magic, moving,
living part of the very earth itself.
– Laura Gilpin
To trace the history of a river, or a raindrop, as John Muir would have done, is also
to trace the history of the soul, the history of the mind descending and arising in the body.
In both we constantly seek and stumble on divinity, which, like the cornice feeding
the lake and the spring becoming a waterfall, feeds, spills, falls, and feeds itself
over and over again.
“…he knew even then
he would leave us. Black trees, black vines spilling
across tarmac. The promise of disappearance,
the deepest breath.”
from Still Life with Damnosa Hereditas and Dark Constellations, Sandra Meek
I lost my father two weeks ago at the age of 62. It was unexpected and left my siblings and me reeling, trying to grapple with the reality of the sudden death.
Bargaining is of course one of the most predictable stages of grief, but I couldn’t help but want to strike a deal with the universe. My dad had finally started to come into himself, to soften, to connect with loved ones and the life he wished he had led.
I am sad and sorry he didn’t get to backpack the Uinta Mountains again or make that promised road trip to the West.
The author Haruki Marakami said, “In a sense our lives are nothing more than a series of stages to help use get used to loneliness.” I think that is one of the truest statements on what aging feels like, and I have felt the impact of this unavoidable progression since I was young.
The longer one lives, the more acutely intimate she is with the ultimate truth of life, its essential aloneness. When we lose others we are reminded of the final and most important act of aloneness, dying.
In that, I hope those who die young are spared some of the ache of loneliness. Some folks don’t take to it well, and my dad wouldn’t have been one who did.
Until You Fall
When people I love die, I dream of them falling. I never know where they are falling to, or into, or out of…but they fall. I try to catch them. They sometimes beg me to, but I cannot.
When they look at me, begging and falling…all I can do is watch.
I think death, or at least the initial departure, must feel like falling through unseen territory. Some welcome the fall, relieved to be weightless and free, some struggle. Maybe they always secretly preferred the earth to the sky.
I am certain I would be one to struggle. The ocean frightens me with its overwhelming and infinite waves – and the thought of free-falling through air is terrifying – nothing like angels or birds with their soft promise, just a dull stone hurdling into darkness.
I have always been an earth beneath my feet woman. Dry earth, rock, root, flesh and bone…things to cling to…none of this ethereal business. You can keep your heavens and waterworlds.
The Thing About Walking
I got up at twilight and headed out on one of my favorite trails, right in the heart of the city. It runs through a corridor of the North Mountains and creates a sense of wildness – even in an epicenter of 4 million.
Walking is my way of coping with hard times. Movement is my therapy, particularly when I am stuck in anger, and I have been angry since my father died. Some reasons are personal; some are sadly becoming more universal.
You see, my dad stopped taking his medications because he couldn’t afford them. He worked in public service for years, but retired without a pension or any savings. He opted for paying his bills over taking care of his health. To think of this makes me enraged. No one should be forced to choose debt over their health.
My rage, in part, is that I find myself in a similar situation: how can I afford insurance; how can I NOT afford insurance? People who work very hard all of their lives end up penniless and desperate. This happens all of the time and no one likes to think of it unless it comes down like a fist upon them.
I pondered these injustices up on that ridge. During this time, I watched as a bulldozer edged the semi-wild, yet most precious terrain, heralding another new housing development.
It is so like us to be plowed under, obedient…
Being here, among city sprawl and the busy lives of busy people, I am reminded of the land around me and all that has been lost…all that modernity has buried.
This culture has bulldozed its apathy upon us. And it is only when our own heart is breaking and the anger demands answers, do we feel the scrape of the blade and grieve for everything that has been lost.
Into Another Life
That was not the story I wanted to write. I am tired of writing about poverty and death, the loss of land and clean water, the indignity of making the “lesser of evils” choices.
I would rather tell a story of women washing auburn hair in a cold creek, or one of children with full bellies and the ability to sleep peacefully; of firefly illumined fields and hollows.
But, I am not a believer of fate. Any wreck you pass, there was a cause and an effect. The stars do not conspire against your happiness any more than mine.
While this anger hastens, it is the story I write – it is what I must walk and sing and offer up. That is the burden and release of grief, to bring us down to the last ember.
It began here, my desire for this place. The course of its existence ran through me – an energy to move a woman 2,000 miles from the shores of Lake Ontario, the fierce shield of granite and water, to a place of obsidian and sky.
Eight years ago, standing on the edge of old Route 66, I watched clouds pass across the cobalt. I could not remain in my old life. The hard edges of the city pushed me into these skies so vast. No amount of squinting could help me to discern what’s beyond the tall grasses and deep canyons. But I knew I had to find out.
Soft definition is what I sought; a place where I could be as lucent as abandoned buildings, yet as full as the chambers of my heart.
To be filled with movement… I desired the poetry of pulse and breath.
To come here meant I could fly into whatever scene I wanted; to be as mutable and impelling as the clouds drifting through the valley. I craved this story. And, the beautiful thing about story isn’t the story itself, but what you can leave out.
I choose to erase
the details of
my desire for this place.
Some things need to move through. Across dry creeks and coyote tracks, there are only traces, and a place to pick up and start walking again.
Her silence and wild
falling is a compass
of hunger and memory.
Jennifer Sweeney, The Snow Leopard Mother
Recently, my grandmother of 94 found herself in a situation many older people find themselves in, and that is whether or not to sell the family home.
Home is not just a place in the suburbs where one might insist on features such as a pool or a bigger garage. Home for her is the trials of young marriage, of saving every penny, of building one’s home – not by contractor but by hand.
Ghost in the Forest, Thomas Dodd
In this way, identity is not something we are given, but something earned. We are bruised into Self and sustain so many tumbles and twists before our personhood is built into recognition.
To think of Self in this way, we are always tumbling and rebuilding with the raw materials of experience.
During my 20s and 30s, there were a few consistent materials of Self that I made use of: alcohol, chaos, and movement.
Removing these qualities has been less like wrecking ball demolition and more like decay. One brick crumbles, then another…but it has been a slow process of abandonment.
Standing now, I am heavy. No longer defined by these things, but still so filled with their ghosts and swallow nests, ribbon and rotting wood.
“To know who you are, you have to have a place to
Carson McCullers, The Heart Is a Lonely Hunter
Giving up that which once sustained me was essential to survival. It allowed me to grieve the Self that survived hurricane and tornado. There were roads and windstorms. I chased and chased my house, the places that could only reside under the skin.
At 42, I find myself lost in an in-between state, just as my grandmother. A narrowing of definition, the container that once held me has changed. In its place, something else.
When I speak to her, Ada Lenora, she tells me her room at the nursing home makes a reasonable home, yet lonely all the same. Photos of my grandfather line the walls and her comfy chair, which accompanied her to the facility, sits like a token in the corner.
We drag our homes alongside us sometimes, unwilling to abandon, unwilling to rebuild. Despite the crumbling walls and fallen beams, it is possible to only see its former beauty.
We are limited by our containers. These homes that collapse make – at best – facsimile selves. I would rather bear the spirit of a tree, dipping my roots in water…quenching the thirst of Self with memory.
Life can ax my limbs but my roots remain.
My last conversation with my grandmother ended with her telling me (as she has told me before) how much she misses my grandfather and how she often expects him to walk in and lean down and give her a kiss as he would do when coming in from the garden.
When I think of my time in Indiana, I think about the trees of my youth: dogwood, tulip, walnut, cherry – their stories contained in leaves, bark, chlorophyll under the nourishing sun. Many of these trees no longer stand.
The last time I was home I sat on the stump of the former cherry tree, planted by my grandfather many years ago. I dug my toes into the loose soil. There under the earth, I hit knuckle-bone of root and breathed in the green humus of life.
As an October baby, I have always loved autumn. Growing up in Southern Indiana, with its poplar, redbud, walnut, and dogwood tree-covered hills, I naturally seek out places in Arizona similarly rich with plant diversity, and especially this time of year.
For those of us living in the desert, it’s necessary to adjust the senses for less garish autumnal finery. Those gilded colors I came to expect in October are hidden in washes and dry creek beds… with the remnant deaths of monsoon wildflowers, strewn against sand and cobble. The drift of fallen sunflowers and wine-hued amaranth fills the roadside ditches. And, the unexpected glance out toward the Estrella Mountains, where the wide Gila flood plains curve under the trunks of gold-trimmed Cottonwoods, conjures up nostalgia.
But, yesterday I needed the symbolic autumn of my youth, the overt heralding of change. Yesterday, I needed canyons.
So, a friend and I set out to explore one of myriad canyons of the Mogollon Rim, a massive escarpment of limestone and sandstone that defines the southernmost edge of the Colorado Plateau. This is an area rife with deep canyons that spider out and create enormous gorges. The views are so easily lost to bewilderment. With its maze of ponderosa pine and rock, the imagination ponders how easy it would be to descend into one of those unnamed canyons and never be found again.
Our hike, however, led us to one canyon in particular… small in scope and challenge, Pivot Rock Canyon was the perfect choice.
Not really in the mood for thrills and chills, I sought a hike that would allow time for contemplating, tree-gazing, adorning the hair in yellowing oak and scarlet wild geranium leaves and burnt orange fern tendrils. The pace of this hike: easy-going… I’d find its description online, “…good for kids and dogs.” It is a daydreamer’s place, a small, wet capillary in the pulse of an otherwise dry pine body.
Starting out on an old jeep trail, we meandered through a natural park… there, some of the oaks and walnuts had begun to change their hues and a few hallowed aspens danced in pale yellow. The ground was wet from the evening’s rainstorm… the air smelled of fungi, decaying leaves, pine resin… and it was HEAVENLY.
With my eyes fixed on the canopy above, I could have remained – lost for hours, just lying on a blanket spread on the musty, rich earth, breathing in the leaf-rot as if it could be the finest, most sensory-stimulating perfume.
Felled trees arched trunks and broken branches, downward… everything moved in the direction of slope and cliff, boulder and ridge. I, too, felt as though I had succumbed to the fall. A fall.
It is true. I had taken a rather hard fall recently, one that shook the roots and left me feeling like the only direction would be down with the drift, the torrent of summer storms, bashed and bruised – as any living thing – an instrument of greater change.
In autumn, the earth wears its mask of jewels. The harvest is a time of celebration, but only because we know what is around the forest bend – the dark nights that are closed to growth, the severe “Do not disturb,” the fin of the final reel. It doesn’t matter what yesterday’s intention was. It matters not what was felt. Now is the time we near ourselves to the ticking of choice. Accept or not. That is the inevitability of ends.
Looking out across a meadow park, my friend and I come upon a stand of massive oaks and the last of the season’s mullein. The quickening wind moves between thoughts and occasional words. It’s important to hike with those whose need for silence matches your own.
At the end of the canyon, the remnants of an old concrete cistern attest to a once active spring. Above us, the faint hum of motorists along Highway 87 snake their way between destinations. This was not to be a long journey. The canyon, though tangled and wild, ends abruptly after a few miles, joining up with its sister canyons along the splintered map of the plateau’s vast rise.
Canyons have a way of leading us along one adventure, only to dash our hopes with a sudden wall of tumbled rocks, then forcing us along on a different course. The dictates of its severe angles, weather patterns, movement of water… There is a beginning and end. There are lost trails, twisted ankles, water too deep to avoid.
But, this journey was forgiving and I made peace with the hopeful wishes of being human, of falling against those hard edges and angles I was not prepared to meet. I breathed it all in. I took a last look at the shivering leaves, still beautiful beneath the afternoon sun.
“Home is a name, a word, it is a strong one; stronger than magician ever spoke, or spirit ever answered to, in the strongest conjuration.” – Charles Dickens
“We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.” – Gaston Bachelard
Home casts its spell over us long before we realize the gravity of its enchantment. The walls become the blanket between our body and the enormity of the universe. The windows bring in the sun’s warmth and the stars reflect their mirrored points in all directions. We mark the voyages we will take by the courses of our return, the ways we navigate back to home, again and again.
We rise from the same bed every morning, responding to the call of a new day or the single threatening pulse of the alarm. We are performing a ritual when we wake, make our coffee, brush our teeth. We skim the news headlines of the outside world, updates from friends in other continents. We wrap ourselves in our nest of charms and try to escape people whose lives are rife with tragedy. Wars, famines, regimes, brutality… these are the terrible fates of those far from our home.
But what is home exactly, if it is not the static entity composed of brick and mortar?
For every one of us, the definition of home changes. Home has changed for me several times over the years. No longer are we remaining in one home for several generations (or even a decade now), but rather choosing the mobile life of modern nomads, seeking better paying jobs, greener pastures. Perhaps that is why we long for a concept or a story of home, rather than rely upon our grandparents’ concept of place? Perhaps, too, that is why we cherish our symbolic homes of memory, heart, spirit, daily rituals that are veiled in consumption and desire, from that morning Starbucks coffee to the Lake Tahoe family vacation.
Home, therefore, must come alive throughout our day, in the acts that create comforts no longer found on the family farm or in our father’s home.
Home as Memory
“Home is in my longing…” “It was the home of my father, where he grew orchids…” “We built this home when we were married, almost 70 years ago…”
Today is my grandmother’s 92nd birthday. I spoke to her while driving down from my two-day sojourn to the craggy, rugged canyons of the Dripping Springs Mountains, where the last of the Arizona monsoon rains poured through granite and limestone. This is a place where I once followed mountain lion tracks into the chaparral forest of scrub oak and manzanita, searching for that wildness that needs me, that I perceive to need me.
I am never ready to leave these places, these forests of imagination – landscapes that hold more of my devotion than calculated homes in the arms of lovers or friends. Here is a longing of the sailor setting off to sea. Here I am uprooted yet devoted.
What is home?
My grandmother’s voice on the end of the line spoke of an angelic recollection of her 70-year marriage, never quite ready to depart. She spoke of memories of grandchildren dancing with fireflies near the garden, the rough hands of the man she loved for years – those spaces that nothing now can fill.
We whisper apologies to the now, knowing we – in our angels’ arms – can never begin to be present. Everything builds upon itself, after all, stone by stone.
To the paramour of memory, home resides in the photographic stills of brothers and sisters, the grainy film traditions of Christmas trees or holiday exchanges, memorabilia of births and deaths. These conceptual homes drift in and over us. They are never permanent and never quite the same. Memory, it is said, works in pleasant states. We remember with greater clarity those moments of joy than those of pain or ache.
Our brains, in essence, carry the nostalgic home of our past into the future, residing with us as identity, an unfulfilled longing to re-create but to never grasp totally.
Home as Mirror
Home as an object – We are expressed in the things we adore, in the things we adorn. Favorite antiques, a trunk containing our grandmother’s wedding dress, our kitchen table where we share our bread and wine. Objects of desire. Objects that reflect our layered years. From the first snipped locks of a child’s hair, to tea pots, to grain piled high in a barn loft, these things contain a bit of soul. The orchards in July – can you smell them now?
I remember my face pressed against the cold concrete blocks of the root cellar, where jars of tomatoes, green beans, new potatoes, and pickles lined the interior wall – cobwebbed walls that smelled of home, the secret place of my hiding, the fearless place of darkness.
We spend our lives looking for these places reflected in the outreaches of another’s world, in cobble-stoned streets of tourist towns, in the slight hope of recognition. And, when we find them – the traces of familiarity looking back at us, we hold tight to the closing space.
It is the nearness of home we seek.
We look for a spouse who holds within him the odor of crushed rosemary, the scented walls and tumbling paths. We want to find mirrored places: the way a new house reminds us, if only in angles and arches, of who we once were years ago.
Home as Spirit
“A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one’s suffering, though it may seem to be so. It is a longing for home… for new metaphors for life. It leads home.” – Hermann Hesse
My life has been composed of symphonic wandering – a music of movement. For those of us called to the road, home is a most curious and confusing of concepts. We are nomads, fixed only to our own soles. Many misunderstand us. Even more accuse us of not being drawn to place, committed and devoted to one single plot of land. I would argue otherwise.
In wandering, one may come closer to Self, just as the home can mirror Self. On foot, we may feel even closer to the truth of existence. As strangers, we hold no allegiance to one place, but we are also untethered to stogy, logged opinions and facts. We may walk through the woods and see familiar faces: lupine, dayflower, aster, grey fox, white-tailed deer, bobcat.
Likewise, the strangers among the streets of Denver, Chicago, Portland find their rituals in an old map, a street that beckons, conversation dancing over the heads of commuters on trains. Home is on one’s back, in a deep purse, or simply sheltered in the heart of the adventurous.
There is an underlying spirit to being fully aware in the world.
Ascetics live with very little in order to remove the common desires and cumbersome load of things. People remove the soporific weight of drugs, alcohol, tv, mindlessness in order to go deeper into themselves, into the naked, exposed, yet spirited real. Pagans and mystics, earth lovers and roaming dreamers cannot contain the world within –
It tumbles down into our lives, filling us no matter where we lay our bodies down at night.
Home is spirit, a spiraling sense of wonder within our truest nature.
We are a nation that seeks its rituals and habits, yet has lost the magic of places that claim us, places we give ourselves to and commit to for our lifetimes. But, home is in our common existence and our daily yearnings. It is not forever and never so grounded it cannot go for a walk or daydream.
Perhaps this is the mistake we make – looking for those familiar hills of our youth, as if we can picture them so completely, we might return – just one last time. Home is…
At 1 a.m., the forest is silent except for a nighthawk calling out to an unknown recipient. I turn on my lamp and listen to my dog’s sleeping breath. A captured bark beetle tries to escape my tent, so I unzip the front mesh. I crawl out with him. There are a few visible stars laced between clouds and the coniferous forest canopy. I crouch down and listen for movement. In the distance, a branch cracks. Even though I am unafraid of the dark, the hairs on my arms and the back of my neck rise. It’s a visceral response for our kind, with such poor night skills and carnivore wisdom.
In the morning, we find mountain lion tracks in fresh mud. The monsoon rains have rolled in across the limestone, across the sandstone escarpment, and through the canyons thick with pine. It is hard to distinguish forest floor from gorge. Alongside these prints are several small hooves, the presence of deer gathered near the mouth of the spring. I listen closely, but it is now morning and I am left with only evidence. The lion is long gone. She won’t stay close to the road, with its morning rush of ATVs and trucks loaded with anxious boys and their guns. The deer girls are scattered across the hills, perhaps missing a fella or fawn. I’ll have to be content with my journal and notes, and imagination.
The following night unfolds in a similar orchestra. The mountains create an illusion of silence, of stilled activity. My city ears haven’t adjusted to their music. I strain to hear the slightest conversation between cicadas – or the complaints of skunks meandering through our make-shift comforts. At 1 a.m., that magic hour, a single coyote opens the night with her bloodied ballad for the crescent moon, for her mates – just one coyote singing solo, waiting for response. I can finally sleep.
The next morning, we find more tracks and, beside the picnic table, a dead junco – in perfect form, as if it had been gently placed on the ground by some benevolent force – small mercies for tender prey.
It’s 10 p.m. in Phoenix. The towers lean over the backyard as I wait for my dog to pee. The July storms tease with their dust clouds. I say a silent prayer for the storms to finally move through. Next door, in an empty lot, a group of homeless men light a fire in an abandoned porch. Cops circle. Helicopters take critical cases to the hospital on Thomas. No matter what I do with white noise, drugs, deep sleep, meditation, the noise never ceases. I strain to find the silence between adagios. I wait for the rain to drive back the life; to quell whatever bravado lives beneath the desperate walls and hungry bellies.
I met a guy who swore he’d seen a wolf in the Prescott National Forest. I knew what he’d likely seen was a large coyote. He showed me a picture of a coyote. Instead of telling him the truth, I just nodded and asked him what he thought of it. Naturally, it changed my life, he said, emphasizing naturally.
Another friend claimed her spirit is that of a fox. She has collage of photos of various foxes above her bed: kit fox, red fox, grey fox, and an odd interloper of an Arctic fox, her cool white fur moving invisible with the Ontario snow.
Above my desk, I, too, have an image of a fox. A desert kit fox I saw while gazing at the spirals and dancing bighorns etched onto rock panels a few thousand years ago. The fox appeared as I was about to embark on a long drive across the Colorado desert of Southern California. It was already 95 degrees at 9 a.m.. The air snapped with its own fury.
On the Mogollon Rim, the surrounding mountains appear as a tintype, a patina. The view of ridges and monsoon clouds frame everything in a dripping emerald and smoke-grey. I walk with my dog out to the edge and find a burnt tree stump to sit on. The landscape has been singed – recently, perhaps a few years ago. Fire rings polka-dot the grasses. Crushed, faded Bud Light cans form an odd little narrative to the pilgrims who come here to escape the heat, caring little for the place itself, or the thousand year old stone flakes marking other arrivals and departures.
These days my mind is equally singed – scarred with too many worries about paying bills and finding a home. It makes no sense to consider these things here. Fatalism settles into my bones. Two years of chronic worry about the why of things, but I am no closer to knowing. Two years of death, loss, situations that burned everything down to bare sinew and nerve. Being here, I ask myself if I am willing. Will I set more years to blaze? Years that will be no more meaningful than a bird falling sudden on the soft dirt floor.
Over the side of the escarpment, a crow is being chased by a stormtroupe of swallows. His protests meet the distant thunder.