New Poem: When I Start My Beginning with Water

When I Start My Beginning with Water

I dove but I cannot surface

I stay with the sea’s pull

though my mother’s face appears

between the glass of tourmaline

I know the earth is red agony

I want to be spared

So, I leave deeper, deeper

until the ache of the sea dissolves me

Keeping laughter in the depths

sorrow surfaces

No man brings his anchored goods

words that tear at my sister’s face

I want her to have this

wordless freedom of waves

The singing is my companion

but not my commitment

The wonder, not possession

just curiosity

Mother, if I could give you

this innocence, would you dive back

to the beginning, where we are set loose

into the sea, the call of our true names

Familiar Landscapes

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“We are a landscape of all we have seen.”
– Isamu Noguchi

There are particular landscapes that stand out in the recesses of memory. Driving down the I17 for the first time and seeing the Sonoran desert come into view…the saguaros, the palo verdes, and brittlebush, and realizing I would live there some day. The wide fields and hollows of soybeans, horses, and oaks are the places of my youth. The steep granite cliffs lining river gorges and pine bring to mind my days in the north woods. And now, I walk among volcanic rock, crumbling welded tuff and ash, a blaze of sunlight lining the cliffs at first light.

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Place is the indicator of safety, and that familiarity of place soothes the fearful animal.

I’ve always felt the flora and geology to be family, places I could gather and listen to ancient stories about how to live in a manner this culture contradicts. To this day, I take my knowledge from the elder trees and the mentor species. There is never a moment I feel isolated from being a part of, because I am so intricately a part of them.

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Friends, too, share this passion for landscape. Their backyards consist not just of green grass to mow or a small garden plot to tend but the unruly weeds and beetles. Many have the privilege of living in a wilder terrain where they can hike at will and never see the same path. Fellow explorers spend their time wandering the Southwest, uncovering their unknown history, writing up bones of forgotten days.

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When I walk a new landscape, I prefer to walk it alone. Like meeting a new friend, I must respect this space and listen intently. The phainopepla reminds me to honor the new day. A quick “qui-qui” shout from a familiar friend, the thrasher, tells me to watch my footing. It’s nearing spring, and after heavy rains the wildflowers abound – the most obvious call to renew, readjust, and most importantly, stop being so serious.

The most meaningful lesson is that the earth is not here to provide lessons, or to owe me a thing. It is not an object of worship, a peak to “bag”, my mother, or my playground.

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While I may glean from place deep lessons and gifts, it is my duty to know my place as an animal among animals, and to live life as not to disrupt this reality. I am called to be a fierce daughter of one loyalty. It is to the saguaro I bow, the lion, the rock, the soil. I am called to be a protector of place, when called, but not the instigator of outcome.

To know one’s place in the most meaningful sense is to be humble. My nameless journey, I am here to serve.

 

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Shattered and Joyful

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The woman I was four months ago was close to death. From her bed, she watched days pass, nights eclipse through the shadows. I see her now as I would watch someone moving down a long hall. Her contorted face forms a silent howl.

She comes to me when I hear a song, or remember a moment lost in a blackout. When someone reaches out for help from the grip of despair, I know that grip that constricts everything.

Being new again, to life, is more difficult that I can convey. Light and sound pierce me, like I was rescued from a mine shaft after spending days in darkness. Life itself seems too loud and too close, but I am learning to live with the fullness of it.

As a sober woman, I look at the past as shattered glass – and the fragments do not have to be my weapon. Each one holds a precious mirror of what moments are like if I choose to return to them. Instead, I hold them gently and whisper that something else is being pieced together.

I live my life by hours. Hours are easy. Each one is as full as I can make it, and made fuller when I hold my dog, or watch the Cooper’s hawks at the park, or talk to friends. The road to recovery is hard, but it is full of unexpected joys, small moments where I can actually be present and alive.

Not everyone gets to experience a complete breath without pain.

To be free from pain; that’s a type of happiness.

I want to return to the woman in that long hall and hold her until the howling stops. But for now, I live my hours and nurture them.

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Christmas in the North Maricopa Mountains

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Margie’s Cove, A.Sato

Without family, the only thing I can hold to on Christmas is the fact that there’s nothing to hold on to. Christmas is like the idea of finding our family waiting on the banister, caked with fresh snowflakes, declaring a love for all mankind while being embraced in kisses. It’s fantasy; the wonderful life.

My thoughts return to Christmas past, where I would spend time with my grandparents. One of the best possibilities of those trips was when I could sleep under the tree at night. Looking up through those faux branches into the sparkling glow made me feel at home, precisely because it mimicked the woods and the stars.

This Christmas, I had that opportunity, except here in my beloved home, the Sonoran Desert.

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After doing some merrymaking over breakfast with friends, my friend Ellen and I packed off to the North Maricopa Mountains for some desert camping. We rambled through a short, sandy trail to Margie’s Cove, a primitive campground on BLM land, adjacent to protected wilderness and the Sonoran Desert National Monument.

This was an area severely grazed over the past few hundred years, but has been slowly returning to its former ecological glory through the efforts of closure and tightened recreational restrictions. The Monument itself contains the Maricopa Mountain ranges (north and south of the I-8), Table Top Mountains, Booth and White Hills, and the Sand Tanks.

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Rife with historical and prehistoric trails and archaeological sites, there’s reason that these places, while quiet, contain thousands of years of stories. You can feel the words under the basalt and strewn across desert pavement, so much so that they sing to life any who care to listen.

Owls lift off from a place
I cannot see. Their long silence
is riddled with the same silence.

In the desert, listening is critical. The slightest wind contains more insight than your GPS. The faint trail of a forgotten sidewinder has more to show you than your cell.

As we set up camp, the clouds formed across the neighboring ridges, looking ominous. It is winter, after all, so we were prepared for both some rain and chilly nights, and the occasional snow (like we saw in 2015). When everything was secured, I set off cross country to look for bones. Like anything, looking intently for what you want results in no luck.

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Giant chunks of quartz riddled the desert pavement, looking quite out of the ordinary against the patination. Wilderness boundary signs have been  glazed over after a few Sonoran summers – its words barely visible. The quality of quiet shifts from a treacherous gasp of unrelentingly survival to a creosote cold, with humidity setting off any scent.

Later that evening, the campfire was welcome as we quickly ate dinner. Winter nights in the desert make me want to hibernate and wake to the stillness of the stars from under the confines of my sleeping bag and wool blankets.

Next morning, I set out on the trail  with the moon to guide me. The air on my face was freezing to the touch, and my nose, permanently frosty. I had hoped to see an owl or maybe a grumpy coyote, or the mountain lion who comes down from his rocks to sip water at the wildlife cache. No sound. No movement. Just my walking motion and my short exhalations.

Walking is reverie, and I, a somnambulist walking in the desert, under moonlight, in winter.

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Late morning, we set out on the sandy back roads looking for historic trails. The north country on the boundary of the Monument has rebounded and was especially lush. Sonoran Desert at its finest, said my friend, and she was right. Every few feet, we stopped to gaze at the beauty and the sun creeping over the horizon.

Another friend says, “Sit still and look. This is everything you need right here.” I believe him.

Water has quenched the desert, and everything seemed alive and happy to be so.

 

 

Impressions of place: potsherds, one busted, displaced river cobble, many hawks, rusted out windmill, Sheep Mountain (how I longed to see the bighorns), boulder climbing, desert pavement napping, scurries of owls, coyote misfits, deep wash after wash, bajada poetry, walking for miles.

If I could only stay another few nights here…But each night could easily blend into another. The desert is without time, and my time is unfortunate. I am the longing sleeper who must pack up and be fit for the other world I inhabit.

I chase it at night when others slumber.
That which saves dwells where death inhabits.

In the moments of childhood, I would stare out through the faux Christmas tree and wonder where I will end up, what life will become. I have the same childhood curiosity, and no more information as to what comes next as I did then. Here is now. Timeless.

Nothing speaks this truth more than the desert.

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Hallelujah: Why Established Artists Matter to Poor Kids

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It was 1994. I sat in my grandmother’s bedroom, comprising poems on her old typewriter. The one she used for decades. It was that year I would travel to see my favorite songwriters and artists, time spent on a road that was so unfamiliar to this rural Indiana native.

That summer, I met Leonard Cohen, Henry Rollins, Tori Amos, Nick Cave, and a host of other musicians whose music kept me hopeful that there was a way. A way out.

Not only were these artists meaningful to me, they actually found meaning in what someone – a 20 year old poet – had to say. I spent hours talking over coffee, dodging chaos when opening acts like the Beastie Boys usurped Cave’s more intellectual performance, and hounding after their gifts like the young do. I even had late night calls from some of them who wondered who the hell I was to reach out in such a less-than-adoring way.

As a 20 year old, what loss could I expect from this interest in idol gazing?

There were no idols for me in the cornfields. Nothing, at that time, occurred to me to be worse than what I existed with and through.

Egoless and wonder-filled, I made contact. I rode through storms and uncertainty to meet them – people I longed to be.

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It has been years since I have bothered riding tour buses, leaving comfort at the door to follow the lead of musical and poetic influences. Years, too, since I felt that same glistening, abundant hope that I could rise up from my status and be among them.

When Cohen died, it hit me – not the death, nor his honorable welcome to its touch. What struck me is that there is so much need for beacons among us. For those who take the time to call up the ones who are forgotten, to realize our deepest fears and noblest truths.

What gets you through is not what your experience is, past or present, but that which can be…like Diane Lawrence’s artwork for Cohen’s The Future album, the heart is guided by hummingbirds or handcuffs.

I wrote recently that I no longer believed in the value of hope. I take those words back.

So, thank you, Mister Cohen and all those who took the time to make my life bearable, believable, valuable. Our stories find the light, always.

There’s a blaze of light
In every word
It doesn’t matter which you heard
The holy or the broken Hallelujah

Everything Grief Demands

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“…he knew even then
he would leave us. Black trees, black vines spilling
across tarmac. The promise of disappearance,
the deepest breath.”

from Still Life with Damnosa Hereditas and Dark Constellations, Sandra Meek

I lost my father two weeks ago at the age of 62. It was unexpected and left my siblings and me reeling, trying to grapple with the reality of the sudden death.

Bargaining is of course one of the most predictable stages of grief, but I couldn’t help but want to strike a deal with the universe. My dad had finally started to come into himself, to soften, to connect with loved ones and the life he wished he had led.

I am sad and sorry he didn’t get to backpack the Uinta Mountains again or make that promised road trip to the West.

The author Haruki Marakami said, “In a sense our lives are nothing more than a series of stages to help use get used to loneliness.” I think that is one of the truest statements on what aging feels like, and I have felt the impact of this unavoidable progression since I was young.

The longer one lives, the more acutely intimate she is with the ultimate truth of life, its essential aloneness. When we lose others we are reminded of the final and most important act of aloneness, dying.

In that, I hope those who die young are spared some of the ache of loneliness. Some folks don’t take to it well, and my dad wouldn’t have been one who did.

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Until You Fall

When people I love die, I dream of them falling. I never know where they are falling to, or into, or out of…but they fall. I try to catch them. They sometimes beg me to, but I cannot.

When they look at me, begging and falling…all I can do is watch.

I think death, or at least the initial departure, must feel like falling through unseen territory. Some welcome the fall, relieved to be weightless and free, some struggle. Maybe they always secretly preferred the earth to the sky.

I am certain I would be one to struggle. The ocean frightens me with its overwhelming and infinite waves – and the thought of free-falling through air is terrifying – nothing like angels or birds with their soft promise, just a dull stone hurdling into darkness.

I have always been an earth beneath my feet woman. Dry earth, rock, root, flesh and bone…things to cling to…none of this ethereal business. You can keep your heavens and waterworlds.

The Thing About Walking

I got up at twilight and headed out on one of my favorite trails, right in the heart of the city. It runs through a corridor of the North Mountains and creates a sense of wildness – even in an epicenter of 4 million.

Walking is myimg_3076 way of coping with hard times. Movement is my therapy, particularly when I am stuck in anger, and I have been angry since my father died. Some reasons are personal; some are sadly becoming more universal.

You see, my dad stopped taking his medications because he couldn’t afford them. He worked in public service for years, but retired without a pension or any savings. He opted for paying his bills over taking care of his health. To think of this makes me enraged. No one should be forced to choose debt over their health.

My rage, in part, is that I find myself in a similar situation: how can I afford insurance; how can I NOT afford insurance? People who work very hard all of their lives end up penniless and desperate. This happens all of the time and no one likes to think of it unless it comes down like a fist upon them.

I pondered these injustices up on that ridge. During this time, I watched as a bulldozer edged the semi-wild, yet most precious terrain, heralding another new housing development.

It is so like us to be plowed under, obedient…

Being here, among city sprawl and the busy lives of busy people, I am reminded of the land around me and all that has been lost…all that modernity has buried.

This culture has bulldozed its apathy upon us. And it is only when our own heart is breaking and the anger demands answers, do we feel the scrape of the blade cactus face (1 of 1) and grieve for everything that has been lost.

Into Another Life

That was not the story I wanted to write. I am tired of writing about poverty and death, the loss of land and clean water, the indignity of making the “lesser of evils” choices.

I would rather tell a story of women washing auburn hair in a cold creek, or one of children with full bellies and the ability to sleep peacefully; of firefly illumined fields and hollows.

But, I am not a believer of fate. Any wreck you pass, there was a cause and an effect. The stars do not conspire against your happiness any more than mine.

While this anger hastens, it is the story I write – it is what I must walk and sing and offer up. That is the burden and release of grief, to bring us down to the last ember.

The Severing of Limbs, Not Roots

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Winter Trees, A. Sato

Her silence and wild
falling is a compass
of hunger and memory.
Jennifer Sweeney,
The Snow Leopard Mother

Recently, my grandmother of 94 found herself in a situation many older people find themselves in, and that is whether or not to sell the family home.

Home is not just a place in the suburbs where one might insist on features such as a pool or a bigger garage. Home for her is the trials of young marriage, of saving every penny, of building one’s home – not by contractor but by hand.

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Ghost in the Forest, Thomas Dodd

In this way, identity is not something we are given, but something earned. We are bruised into Self and sustain so many tumbles and twists before our personhood is built into recognition.

To think of Self in this way, we are always tumbling and rebuilding with the raw materials of experience.

During my 20s and 30s, there were a few consistent materials of Self that I made use of: alcohol, chaos, and movement.

Removing these qualities has been less like  wrecking ball demolition and more like decay. One brick crumbles, then another…but it has been a slow process of abandonment.

Standing now, I am heavy. No longer defined by these things, but still so filled with their ghosts and swallow nests, ribbon and rotting wood.

“To know who you are, you have to have a place to
come from.”
Carson McCullers,
The Heart Is a Lonely Hunter

Giving up that which once sustained me was essential to survival. It allowed me to grieve the Self that survived hurricane and tornado. There were roads and windstorms. I chased and chased my house, the places that could only reside under the skin.

At 42, I find myself lost in an in-between state, just as my grandmother. A narrowing of definition, the container that once held me has changed. In its place, something else.

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Stone & Water, A. Sato

When I speak to her, Ada Lenora, she tells me her room at the nursing home makes a reasonable home, yet lonely all the same. Photos of my grandfather line the walls and her comfy chair, which accompanied her to the facility, sits like a token in the corner.

We drag our homes alongside us sometimes, unwilling to abandon, unwilling to rebuild. Despite the crumbling walls and fallen beams, it is possible to only see its former beauty.

We are limited by our containers. These homes that collapse make – at best – facsimile selves. I would rather bear the spirit of a tree, dipping my roots in water…quenching the thirst of Self with memory.

Life can ax my limbs but my roots remain.

My last conversation with my grandmother ended with her telling me (as she has told me before) how much she misses my grandfather and how she often expects him to walk in and lean down and give her a kiss as he would do when coming in from the garden.

When I think of my time in Indiana, I think about the trees of my youth: dogwood, tulip, walnut, cherry – their stories contained in leaves, bark, chlorophyll under the nourishing sun. Many of these trees no longer stand.

The last time I was home I sat on the stump of the former cherry tree, planted by my grandfather many years ago. I dug my toes into the loose soil. There under the earth, I hit knuckle-bone of root and breathed in the green humus of life.

Nest of Charms, Places We Call Home

Indiana Morning - A. Sato
Indiana Morning – A. Sato

*Originally, written for SageWoman, Juniper & Crow blog

“Home is a name, a word, it is a strong one; stronger than magician ever spoke, or spirit ever answered to, in the strongest conjuration.” – Charles Dickens  

“We comfort ourselves by reliving memories of protection. Something closed must retain our memories, while leaving them their original value as images. Memories of the outside world will never have the same tonality as those of home and, by recalling these memories, we add to our store of dreams; we are never real historians, but always near poets, and our emotion is perhaps nothing but an expression of a poetry that was lost.” – Gaston Bachelard

Home casts its spell over us long before we realize the gravity of its enchantment. The walls become the blanket between our body and the enormity of the universe. The windows bring in the sun’s warmth and the stars reflect their mirrored points in all directions. We mark the voyages we will take by the courses of our return, the ways we navigate back to home, again and again.

Coyote Hills - A. Sato
Coyote Hills – A. Sato

We rise from the same bed every morning, responding to the call of a new day or the single threatening pulse of the alarm. We are performing a ritual when we wake, make our coffee, brush our teeth. We skim the news headlines of the outside world, updates from friends in other continents. We wrap ourselves in our nest of charms and try to escape people whose lives are rife with tragedy. Wars, famines, regimes, brutality… these are the terrible fates of those far from our home.

But what is home exactly, if it is not the static entity composed of brick and mortar?

For every one of us, the definition of home changes. Home has changed for me several times over the years. No longer are we remaining in one home for several generations (or even a decade now), but rather choosing the mobile life of modern nomads, seeking better paying jobs, greener pastures. Perhaps that is why we long for a concept or a story of home, rather than rely upon our grandparents’ concept of place? Perhaps, too, that is why we cherish our symbolic homes of memory, heart, spirit, daily rituals that are veiled in consumption and desire, from that morning Starbucks coffee to the Lake Tahoe family vacation.

Home, therefore, must come alive throughout our day, in the acts that create comforts no longer found on the family farm or in our father’s home.

Home as Memory

“Home is in my longing…”
“It was the home of my father, where he grew orchids…”
“We built this home when we were married, almost 70 years ago…”

Abandoned II - A. Sato
Abandoned II – A. Sato

Today is my grandmother’s 92nd birthday. I spoke to her while driving down from my two-day sojourn to the craggy, rugged canyons of the Dripping Springs Mountains, where the last of the Arizona monsoon rains poured through granite and limestone. This is a place where I once followed mountain lion tracks into the chaparral forest of scrub oak and manzanita, searching for that wildness that needs me, that I perceive to need me.

I am never ready to leave these places, these forests of imagination – landscapes that hold more of my devotion than calculated homes in the arms of lovers or friends. Here is a longing of the sailor setting off to sea. Here I am uprooted yet devoted.

What is home?

My grandmother’s voice on the end of the line spoke of an angelic recollection of her 70-year marriage, never quite ready to depart. She spoke of memories of grandchildren dancing with fireflies near the garden, the rough hands of the man she loved for years – those spaces that nothing now can fill.

We whisper apologies to the now, knowing we – in our angels’ arms – can never begin to be present. Everything builds upon itself, after all, stone by stone.

To the paramour of memory, home resides in the photographic stills of brothers and sisters, the grainy film traditions of Christmas trees or holiday exchanges, memorabilia of births and deaths. These conceptual homes drift in and over us. They are never permanent and never quite the same. Memory, it is said, works in pleasant states. We remember with greater clarity those moments of joy than those of pain or ache.

Our brains, in essence, carry the nostalgic home of our past into the future, residing with us as identity, an unfulfilled longing to re-create but to never grasp totally.

Going No where - A. Sato
Going No where – A. Sato

Home as Mirror

Home as an object – We are expressed in the things we adore, in the things we adorn. Favorite antiques, a trunk containing our grandmother’s wedding dress, our kitchen table where we share our bread and wine. Objects of desire. Objects that reflect our layered years. From the first snipped locks of a child’s hair, to tea pots, to grain piled high in a barn loft, these things contain a bit of soul. The orchards in July – can you smell them now?

I remember my face pressed against the cold concrete blocks of the root cellar, where jars of tomatoes, green beans, new potatoes, and pickles lined the interior wall – cobwebbed walls that smelled of home, the secret place of my hiding, the fearless place of darkness.

We spend our lives looking for these places reflected in the outreaches of another’s world, in cobble-stoned streets of tourist towns, in the slight hope of recognition. And, when we find them – the traces of familiarity looking back at us, we hold tight to the closing space.

It is the nearness of home we seek.

We look for a spouse who holds within him the odor of crushed rosemary, the scented walls and tumbling paths. We want to find mirrored places: the way a new house reminds us, if only in angles and arches, of who we once were years ago.

Reaching - A. Sato
Reaching – A. Sato

Home as Spirit

“A longing to wander tears my heart when I hear trees rustling in the wind at evening. If one listens to them silently for a long time, this longing reveals its kernel, its meaning. It is not so much a matter of escaping from one’s suffering, though it may seem to be so. It is a longing for home… for new metaphors for life. It leads home.” – Hermann Hesse

My life has been composed of symphonic wandering – a music of movement. For those of us called to the road, home is a most curious and confusing of concepts. We are nomads, fixed only to our own soles. Many misunderstand us. Even more accuse us of not being drawn to place, committed and devoted to one single plot of land. I would argue otherwise.

In wandering, one may come closer to Self, just as the home can mirror Self. On foot, we may feel even closer to the truth of existence. As strangers, we hold no allegiance to one place, but we are also untethered to stogy, logged opinions and facts. We may walk through the woods and see familiar faces: lupine, dayflower, aster, grey fox, white-tailed deer, bobcat.

Likewise, the strangers among the streets of Denver, Chicago, Portland find their rituals in an old map, a street that beckons, conversation dancing over the heads of commuters on trains. Home is on one’s back, in a deep purse, or simply sheltered in the heart of the adventurous.

There is an underlying spirit to being fully aware in the world.

Ascetics live with very little in order to remove the common desires and cumbersome load of things. People remove the soporific weight of drugs, alcohol, tv, mindlessness in order to go deeper into themselves, into the naked, exposed, yet spirited real. Pagans and mystics, earth lovers and roaming dreamers cannot contain the world within –

It tumbles down into our lives, filling us no matter where we lay our bodies down at night.

Stone - A. Sato
Stone – A. Sato

Home is spirit, a spiraling sense of wonder within our truest nature.

We are a nation that seeks its rituals and habits, yet has lost the magic of places that claim us, places we give ourselves to and commit to for our lifetimes. But, home is in our common existence and our daily yearnings. It is not forever and never so grounded it cannot go for a walk or daydream.

Perhaps this is the mistake we make – looking for those familiar hills of our youth, as if we can picture them so completely, we might return – just one last time. Home is…

The Fields

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* The Fields first appeared in the Winter 2014 issue of Plant Healer Magazine

“The morning air was like a new dress. That made her feel the apron tied around her waist. She untied it and flung it on a low bush beside the road and walked on, picking flowers and making a bouquet… From now on until death she was going to have flower dust and springtime sprinkled over everything.”

― Zora Neale Hurston, Their Eyes Were Watching God

 

“Let your fiction grow out of the land beneath your feet.”

― Willa Cather

It’s early morning. The sun has not yet ascended. I am in the field – a field of my own imagination and freedom. The night has meaning that I am not obliged to compose. The night is a terrible myth only the healing fields can erase. My siblings are asleep. My mother is nowhere. I don’t know her and she left years ago. My father is at work. I am only 16, but I know how to run a house. I know how to evade misery and I know how to dream.

The horses in the field are aware of my escape. They are sleepy with my visions. I come here to talk to them, to tell them how a girl will one day live in France. I am a wanderer, but I am always married to these woods, to the pond, to the strange flight of swallows and the pervasive faces of Black-Eyed Susans that lean in and surround my victim heart. They tell me I can bend in this. They tell me that the harshness of being alive will scatter my song into fields I can never dream of knowing. The Queen Anne’s lace agrees. She knows I look west – how can I not? The setting sun means that this day is over, and I wanted only just to get through the day then. I wanted the pull of tides and the warmth of the dry earth to tell me that it will be over… soon.

At night the sound of bullfrogs in unison keep me company – the earth’s drums. Fireflies light their way through paths of dogwood, sassafras, and walnut trees. Black walnuts, I will learn, are bitter but make wonderful stain for the bodies of guns and the hair of bold girls who hate their golden locks. All autumn I will watch the men of my family bbeaversbluff3oil up the walnuts over an open fire, then use the stain on their muzzleloaders. It’s deer season. The trees are in full fall plumage and the odor of fireplaces and errant embers blankets the terrain. The fields are aglow with gold and bronze –between the black dots of cattle, the wheat and grasses burn across the landscape and rise into the outline of crows and trees, the somber shades of a darkening season.

The family, the home, doesn’t control everything that happens in childhood. I, being the oldest of so many children, never felt contained by the rooms and routines of the domestic life. I felt alone among my childhood walls. In the fields, I was with the world. The sun’s gracious warmth and the nocturnal ballads of screech owls and cicadas filled my young life with a social song of otherworldly friendship – of love that would not come with high price and cold reality.

During the summer months, I would climb over limestone boulders to swim in abandoned quarries filled with years of rain. There was a danger in those stones I knew in every step – the boys who would circle around us girls, staring at our breasts, groping for pleasure in the moonlight of expectation and longing. A fox sprite, I would scramble across each boulder, half-clothed, ignoring the admonitions of danger – the very real causalities of abandoned places where several wanton youth perished or injured themselves with a false step or an ill calculated dive. Still, I would not fear stone as I would fear the circling of humans, the risk of love.

Summers were spent on horseback, exploring the woods that surrounded the 40 acres of farmland I grew up within. My friends and I would spend hours lounging on the mossy earth, making pinwheels from the flowers of the giant tulip trees that lined the yard. Abandoned houses stood exposed in their brick and stone secrets where we found incredible gifts of the past: old school books, clothes, rotting trunks, fabric, discarded chairs…. Climbing the rotten steps and inching our way between holes in floorboards, we asked the Ouija board about our future. Would there be love? Would there be children? Even in asking, I knew I did not belong to the stories of these girls, my then friends. I knew the woods spoke to me of something else – and named me what I could not name myself.

Like a bell jar over these scenes, I uncover the sensory memory – this place belongs to me just as I remain there. I have trouble remembering the names of schools, teachers, and old friends. I cannot tell you one fond memory of high school, but I can walk you through every branch, every cornfield, and every sinkhole with its murky mystery with impeccable clarity – the use of every sense, the body-knowledge of a wolf.

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As a child, I waited in fields for some salvation from the human world. As a child, I thought little of erroneous pop culture myths and urban pressures. I knew only these fields that carried a song across veins of stream beds. I collected arrowheads among clay and sandstone alcoves, high above rivers. There were ancient others who understood the seasons and gave voice to the living world. I longed to know these people. I dreamed they would come and find me, waiting there among the eroding banks.

There is something innately spiritual and mythical about land and water, plant and sky. The earth asks us to both dig deep into our roots and find peace but also to explore the limits of life on the surface – to know that life is harsh and lovely, unfair yet fully present. There is very little within me that did not directly grow from the pleasure of place. As the fog of violence entered in, I managed to remain truly connected to hope. Survival was all around me. The young of other species were not spared. They adapted or died. I took this lesson in and held on, used my wits, and stayed rooted in the brutal beauty of life.

I was a girl of fields. I was a girl forced to become a woman too soon. Yet I remember being in those apple orchards with the bees looming between my footsteps. I remember picking rhubarb for cobblers; hiding between grapevines to jump out and scare my brother… these were the memories that formed my identity.

If my writing has some greater purpose or some message to share, I want it to be with the desperate child who has no wild ally, the lost one who has no land to adore. This is one who – unless artificially protected – will not adapt and therefore stands a greater chance of passing tPicture 270he violent lineage on through commerce, procreation, and self-abasement. This is the dominance of a hopeless world of acquisition and subterfuge. This is the one who comes to a visual feast of delight with no eyes.

The last time I visited the hillsides and fields of Southern Indiana, I spent some time at the grave sites of my ancestors. The church cemetery, I couldn’t even begin to show you where it is on a map. I only know how to get there by the blood pulse of who I am, instinct. This is a resting place of farm families and Depression era babies, of Welsh and French miners. The place is thick with ferns and Virginia pines. Everything is tinged with moisture and I am still in love with the smell of damp earth, something my Southwestern home has never been able to provide.

Across from the cemetery, there is a field that has been used by farmers for several generations. Not one building has stood on that soil. I have my sleeping bag and a telescope. Under the barbed wire I slip and find a good place to bed down for the night. Already, the cold has settled in and the cicadas have descended. Grasshoppers share the warmth of my bag – the sky above: blackness and stars. Who can say what home truly is, what defines the domestic? Is it the family, children? Is it a house we work hard to buy? Or a lover to bring us into our own senses through touch and giving?

In these fields I was alone, but I was home. I did not care to run or spoil the moment with worries about my life. It did not occur to me to want to be protected, or in dreams of France or some other country. I nestled into my bag – where the girl met the hold of the earth – and slept like someone who has found genuine belonging.