The Deliberate Path of Gila Monster

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I dream of monsters. Reptiles who crawl into my slumber, I yearn for the teachings, for their company. Over the past month, I have seen an uncanny number of Gila monsters on my hikes. They’ve (almost mysteriously) appeared in my path and have sparked a curiosity in me to learn more about them.

The most obvious of reptiles, the Gila monster is one of the few lizards that are venomous. Of course, unlike rattlesnakes I have encountered, who are quick to strike, Gila monsters are meandering creatures. They are reluctant to interact and simply want to continue on their way. They are passive. You’d have to put your hand under their mouth to get them to attack, or else try to pick them up.

What I know of Gila monsters is that they want to get where they are going with a deliberate intention about them. They’re focused and intent, going about their business under the hot morning sun – a true desert soul.

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The Basics of the Gila Monster

The Gila monster, Heloderma suspectum, is a venomous reptile who’s native to the Southwestern United States and Northwestern Mexico. They range in length between 10-14 inches and weigh approximately 4 pounds. Their distinct markings of orange (sometimes appearing pink or yellow) and black patterned beads (not scales) cannot be missed. One of the showiest of lizards, they are beautiful by all accounts.

Their bite contains a powerful neurotoxin that causes necrosis (death of the tissues) in the unfortunate victim. The quintessential hermit, they spend most of their time in burrows (95% of the year) and emerge only to warm themselves in the sun and seek out other species’ eggs, their primary diet. Because of their body composition (mostly fat), Gila monsters can live for a year on about 3-4 meals.

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Symbolism of Gila Monster

There is much mythology and folklore about the Gila monster. I don’t wish to get into these stories, however, since they are not mine to own. I also think we do a disservice to the species who appear before us with something to say by consulting Madame Esoteric’s Guide to Animal Totems, or what have you.

The patterns of the Gila monster are especially intriguing. There is no mistaking these creatures, with their blazed orange and black – maybe a warning to stay away from them. I gather, though, that they stand out because they are animals of authenticity. There is no denying who they are. They are their authentic selves.

This asks a question…Am I being my true nature, or do I throw up a facade? Can I be this real, bold, and authentic in my life?

Gila monster is a master of survival, an original preservationist, as they can go without food for months. This species presents the lesson of living life within one’s means, of conserving resources and energy, whether that be your time, emotional or mental health, or finances.

Am I guarding my health, resources, emotions? Or am I releasing them foolishly, without thought of the future?

This elusive monster spends the majority of their time underground. Guarded from the intensity of the summer months and possible predators, Gila monsters show us that going under is life-preserving. Burrowing beneath the earth, there is power in finding respite, a place to dream and emerge stronger. Gila monster tells us to pay attention to our dreams and to find shelter, whether it is within one’s body or the physical world.

In my own interpretation of the Gila monster, I am called to heed the warning of giving too freely of my resources. I should focus on my true nature and what I am called to do. To keep my decisions on a critical plane, where all options are before me.

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Walking with Gila monster is a call to watch my ass. Where am I in danger, or at risk of losing what I need to survive? It’s not a cry of paranoia, but one of good sense and self-protection.

I adore this amazing species, who has grown on me over the past few years. The Gila monster is an emblem of home, the Sonoran desert. A slow pace and careful judgement are how you survive in a tough terrain of limited food, water, and cool shelter. Gila monster is the god of true survival, where only those who are deliberate in action and purpose thrive.

 

 

 

 

 

 

 

 

 

 

 

A Quiet Place

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Bending to drink / A. Sato

There are many distractions. Everything wants us, from the screens to the friends we have yet to call back, to the traffic honking, to the lists of endless things we have to do. This life can overwhelm us in every single instant.

Then, there is stillness. If we allow it to be.

Each morning I ask if I want the quiet. It is really my choice. If I allow the stillness, what will it ask from me?

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Launch / A. Sato

A story is told as much by silence as by speech.

— Susan Griffin

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Bee and wild raspberry / A. Sato

Our minds, as well as our bodies, have need of the out-of-doors. Our spirits, too, need simple things, elemental things, the sun and the wind and the rain, moonlight and starlight, sunrise and mist and mossy forest trails, the perfumes of dawn and the smell of fresh-turned earth and the ancient music of wind among the trees.

— Edwin Way Teale

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Cabbage White / A. Sato

I believe that there is a subtle magnetism in Nature, which, if we unconsciously yield to it, will direct us aright.

— Henry David Thoreau

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Come away / A. Sato

What you encounter, recognize or discover depends to a large degree on the quality of your approach. Many of the ancient cultures practiced careful rituals of approach. An encounter of depth and spirit was preceded by careful preparation.

When we approach with reverence, great things decide to approach us. Our real life comes to the surface and its light awakens the concealed beauty in things. When we walk on the earth with reverence, beauty will decide to trust us. The rushed heart and arrogant mind lack the gentleness and patience to enter that embrace.

― John O’Donohue, Beauty: The Invisible Embrace

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Small host / A. Sato

At a certain point, you say to the woods, to the sea, to the mountains, the world, Now I am ready. Now I will stop and be wholly attentive. You empty yourself and wait, listening. After a time you hear it: there is nothing there. There is nothing but those things only, those created objects, discrete, growing or holding, or swaying, being rained on or raining, held, flooding or ebbing, standing, or spread. You feel the world’s word as a tension, a hum, a single chorused note everywhere the same. This is it: this hum is the silence. Nature does utter a peep – just this one. The birds and insects, the meadows and swamps and rivers and stones and mountains and clouds: they all do it; they all don’t do it. There is a vibrancy to the silence, a suppression, as if someone were gagging the world. But you wait, you give your life’s length to listening, and nothing happens. The ice rolls up, the ice rolls back, and still that single note obtains. The tension, or lack of it, is intolerable. The silence is not actually suppression: instead, it is all there is.

― Annie Dillard, Teaching a Stone to Talk: Expeditions and Encounters

 

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At the table / A. Sato

Observing sacred mind in nature’s creativity can help us to reconnect to our own sacred mind as well. It releases a deep knowing that we inhabit a world rich with meaning—an ebbing and flowing ocean of intentionality that creates complex relationships between beautiful forms.

― Julie J. Morley, Future Sacred: The Connected Creativity of Nature

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Underworld / A. Sato

Who would deduce the dragonfly from the larva, the iris from the bud, the lawyer from the infant? …We are all shape-shifters and magical reinventors. Life is really a plural noun, a caravan of selves.

― Diane Ackerman

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Darner / A. Sato

Why are we such tortured human beings, with tears in our eyes and false laughter on our lips? If you could walk alone among those hills or in the woods or along the long, white, bleached sands, in that solitude you would know what meditation is. The ecstasy of solitude comes when you are not frightened to be alone no longer belonging to the world or attached to anything. Then, like that dawn that came up this morning, it comes silently, and makes a golden path in the very stillness, which was at the beginning, which is now, and which will be always there.

― Jiddu Krishnamurti, Meditations

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Wild chick / A. Sato

Away from the tumult of motor and mill

I want to be care-free;

I want to be still!

I’m weary of doing things; weary ofwords

I want to be one with the blossoms

and birds.

― Edgar A. Guest

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Corridor / A. Sato

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White Canyon Wilderness Wander

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Canyon Mouth, A. Sato

I spent a lazy Sunday wandering through White Canyon Wilderness, a hidden heaven not too far from Phoenix. No goal. No fitness hike. Just a lot of puffy clouds, silence, and the chance to soak in another beautiful view.

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White Cliffs, A. Sato

The best part of slowing down is taking the time to notice what you don’t when you are keeping pace on a long hike.

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A. Sato

Small flowers, delicate blades of native grass, unusual markings etched among rock, moss, and lichen, a hidden petroglyph…these are the findings that can only emerge into vision in idleness.

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I am taking the time to find God in small things. Her beauty is in the intricacies and eloquence of the understated and unnoticed.

 

 

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Christmas in the North Maricopa Mountains

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Margie’s Cove, A.Sato

Without family, the only thing I can hold to on Christmas is the fact that there’s nothing to hold on to. Christmas is like the idea of finding our family waiting on the banister, caked with fresh snowflakes, declaring a love for all mankind while being embraced in kisses. It’s fantasy; the wonderful life.

My thoughts return to Christmas past, where I would spend time with my grandparents. One of the best possibilities of those trips was when I could sleep under the tree at night. Looking up through those faux branches into the sparkling glow made me feel at home, precisely because it mimicked the woods and the stars.

This Christmas, I had that opportunity, except here in my beloved home, the Sonoran Desert.

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After doing some merrymaking over breakfast with friends, my friend Ellen and I packed off to the North Maricopa Mountains for some desert camping. We rambled through a short, sandy trail to Margie’s Cove, a primitive campground on BLM land, adjacent to protected wilderness and the Sonoran Desert National Monument.

This was an area severely grazed over the past few hundred years, but has been slowly returning to its former ecological glory through the efforts of closure and tightened recreational restrictions. The Monument itself contains the Maricopa Mountain ranges (north and south of the I-8), Table Top Mountains, Booth and White Hills, and the Sand Tanks.

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Rife with historical and prehistoric trails and archaeological sites, there’s reason that these places, while quiet, contain thousands of years of stories. You can feel the words under the basalt and strewn across desert pavement, so much so that they sing to life any who care to listen.

Owls lift off from a place
I cannot see. Their long silence
is riddled with the same silence.

In the desert, listening is critical. The slightest wind contains more insight than your GPS. The faint trail of a forgotten sidewinder has more to show you than your cell.

As we set up camp, the clouds formed across the neighboring ridges, looking ominous. It is winter, after all, so we were prepared for both some rain and chilly nights, and the occasional snow (like we saw in 2015). When everything was secured, I set off cross country to look for bones. Like anything, looking intently for what you want results in no luck.

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Giant chunks of quartz riddled the desert pavement, looking quite out of the ordinary against the patination. Wilderness boundary signs have been  glazed over after a few Sonoran summers – its words barely visible. The quality of quiet shifts from a treacherous gasp of unrelentingly survival to a creosote cold, with humidity setting off any scent.

Later that evening, the campfire was welcome as we quickly ate dinner. Winter nights in the desert make me want to hibernate and wake to the stillness of the stars from under the confines of my sleeping bag and wool blankets.

Next morning, I set out on the trail  with the moon to guide me. The air on my face was freezing to the touch, and my nose, permanently frosty. I had hoped to see an owl or maybe a grumpy coyote, or the mountain lion who comes down from his rocks to sip water at the wildlife cache. No sound. No movement. Just my walking motion and my short exhalations.

Walking is reverie, and I, a somnambulist walking in the desert, under moonlight, in winter.

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Late morning, we set out on the sandy back roads looking for historic trails. The north country on the boundary of the Monument has rebounded and was especially lush. Sonoran Desert at its finest, said my friend, and she was right. Every few feet, we stopped to gaze at the beauty and the sun creeping over the horizon.

Another friend says, “Sit still and look. This is everything you need right here.” I believe him.

Water has quenched the desert, and everything seemed alive and happy to be so.

 

 

Impressions of place: potsherds, one busted, displaced river cobble, many hawks, rusted out windmill, Sheep Mountain (how I longed to see the bighorns), boulder climbing, desert pavement napping, scurries of owls, coyote misfits, deep wash after wash, bajada poetry, walking for miles.

If I could only stay another few nights here…But each night could easily blend into another. The desert is without time, and my time is unfortunate. I am the longing sleeper who must pack up and be fit for the other world I inhabit.

I chase it at night when others slumber.
That which saves dwells where death inhabits.

In the moments of childhood, I would stare out through the faux Christmas tree and wonder where I will end up, what life will become. I have the same childhood curiosity, and no more information as to what comes next as I did then. Here is now. Timeless.

Nothing speaks this truth more than the desert.

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Shooting Stars in the Sierra Ancha

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I recently returned from an overnight trip to the Sierra Ancha. This is a range that is close to my heart, because it was one I visited briefly during my first trip to Arizona after being gone for nearly 15 years.

As my friend Ellen likes to say, this place is special, sacred. You can feel it when you are here. Something of the ethereal is close to the skin. No wonder there are many sightings of monsters and ghosts, of messages on the wind and in strange dreams beneath glowing stars.

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We arrived in late morning, so I decided to hike down Rose Creek. Little did I expect, I encountered a small female bear. I was as stunned as she was. I have a certain level of fear about bears; they seem so unpredictable. Their demeanor can quickly change from aloof to threatening, and within seconds.

The bear looked at me, then Lily, my 13 pound dog. I realized that the only way out was to back up since we were surrounded by thick, thorny berry bushes. Lifting Lily high, we eased away, watching the coal black eyes look back at us. Thankfully, we escaped safely through the berry corridor.

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Roaming the back roads is always a part of any adventure that I consider an adventure, and Ellen and I set off for Buzzard Roost Canyon the next day. Rocking through the boulders and slopes, and down, down, down into the mouth of the canyon, we went far away from any human activity. Spotting perfect primitive camp sites and canyon songbirds lifting off of the schist and gneiss, what else is there but this?

 

Lying awake at midnight in my tent, listening to the soft steps of skunks along the creek, I am here. The immensity of the night sky overwhelms me. I wish for one star to fall. Minutes later, the blaze and the descent.

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Water in the desert is precious, and to find a flowing creek in the Sonoran is a magical thing. After miles of climbing and bumping down forest roads, we were delighted to find Spring Creek by way of Jerky Butte.

Even a shallow swimming hole can relieve a tired, hot traveler. I am a longtime traveler.

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Waking up at sunrise, I hiked along a new road that leads to a development that’s in an in-holding of the national forest. The illuminated cliffs of the Sierra Ancha Mountains caught first light. Being in deep canyons feels like I am returning to the quiet, still place where my true self emerges. The light shines on these places, but it occurs one hour at a time.

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If you pay close attention on any walk, you will notice things. Small things that can make you wonder why you ever thought you were alone.

 


Fall is my favorite season, which feels like a mere two weeks in AZ. I do love the winter months here, but sometimes I miss those real two-three months of serious autumn that I experienced in Indiana. The kind that reminds me of the fall foliage of my birthplace, the sound of the wood stove’s cracks-and-pops, feeling chilly enough to put on an extra big flannel shirt when the sun sets, and that deep, pungent odor of decay.

I savor it when I am in the mountains.

 

As with any range, a person can spend an entire lifetime exploring and never fully get a complete picture of all of its secrets. And, isn’t that the point, really, to know that a place is composed of so much enchantment it is impossible to contain?

When the disciples asked Jesus when the new world will come, he replied, “What you look forward to has already come, but you do not recognize it.” There is no outside heaven or planetary escape of tech fantasy. This is it. This is the kingdom.

I hope to continue to recognize it for years to come.

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Meditations on Water

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The trees reflected in the river – they are unconscious
of a spiritual world so near to them. So are we.

– Nathaniel Hawthorne

I seek out herons each morning, particularly the small green heron that graced the park over the summer. A neighbor saw a male arrive a few weeks ago and witnessed the most beautiful dance between the two herons, a mating ritual. Since then, we have not seen them.

As I sit beside the water’s edge, I imagine those two lovers busily building a nest on the Salt River, a river that used to run wild.

While I was looking closely for birds, I noticed the surface of the water and all of the life embodied in it, from the algae to the variety of insects that skipped over its surface. An iridescent dragonfly rested briefly on drift wood. A snapping turtle poked his head through the clear surface, creating small circles on the once still water – element meeting element.

The solitude of ponds, the ferocity of desert rivers in a monsoon, the arroyo holding deep pools of forgotten rain. These are the sacred moments, the natural movement of water. Water is not simply among us, it is us.

Except, we don’t see it that way. We turn to witness the degradation of dams and artificial pools meant to control, tame, and harness. How have we become so lost that we deny this essential God? Thinking we rule over it because we have the periodic table, we have its power.

We believe that we lord over all things, but the day will come when the tides change, as certain and abrupt as water.

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Water is life’s mater and matrix, mother and medium. There is no life without water.

– Albert Szent-Gyorgyi

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Estuaries are a happy land, rich in the continent itself, stirred by the forces of nature like the soup of a French chef; the home of myriad forms of life from bacteria and protozoans to grasses and mammals; the nursery, resting place, and refuge of
countless things.

– Stanely A. Cain

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A river seems a magic thing. A magic, moving,
living part of the very earth itself.

– Laura Gilpin

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To trace the history of a river, or a raindrop, as John Muir would have done, is also
to trace the history of the soul, the history of the mind descending and arising in the body.

In both we constantly seek and stumble on divinity, which, like the cornice feeding
the lake and the spring becoming a waterfall, feeds, spills, falls, and feeds itself
over and over again.

– Gretel Ehrlich, Sisters of the Earth

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Our bodies are molded rivers.

– Novalis

Stillness

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In doubt and uncertainty, in times of strife and fear, to whom do you run?

We exist in a time of constant chatter, distractions of all kinds that aim to keep us locked in attention to the external. If and when we get a few moments of inward, contemplative silence, it is immediately filled with worries and anxieties, oftentimes about personal things like our finances, our marriage, our kids. Other times we worry, and rightly so, about the world.

Fear can be a good teacher, but a dangerous master.

When anxiety becomes my modus operandi, I feel it in my body (most notably, with heart palpitations and tension), but I also take this anxiety into everything I do, how I interact with the world. Our culture itself is in a continuous fight or flight response, and the mechanisms of this cultural machine keep us exhausted, unable to take our focus away from the demands.

I long for silence.

“When you move silently, then you are that which God was before nature and creature, out of which He created your nature and creature.” Jakob Bohme

If you get beyond the “God” and “He” references, you scratch the surface that there is something powerful in this. It is to say, we are NOT the programmed worrisome, anxious creatures we believe ourselves to be, but that we have that original capacity of stillness, of silence. Yet, we veer off into the elsewhere of distractions and addictions.

In other words, we are responding to (and collaborating with) a movement away from Life in obedience to industrial civilization. But it doesn’t have to be this way. The justification of a mad world is that humans are just full of greed and brutality. Many of us accept this, to integrate it into our being so that we cannot even trust ourselves.

This is the ultimate lie.

When we allow ourselves to leave the distractions, we come to our true selves in silence. This desire for stillness often happens through adversity – when we are desperate the eyes open and we begin to see.

We come to our full attention when we listen, deeply listen. Listen to the ancestors, to other beings like birds and snails and moss. Listen to canyons and rivers. Listen to the truth that precedes us, that essentially is our Source and true nature.

 

 

Hello, It’s Morning

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The morning was punctuated by the sudden call of a Curved-billed Thrasher. Thrashers are aptly named, and precede all other desert birdsongs with their single, piercing cry that jolts the weary out of slumber. It was this single cry that broke the spell of my twilight meditation.

Like the thrasher, there is nothing quite like a sudden illness to dolt us into awareness. This has been true for me. While I am relatively OK now, there is a constant hum – a background noise – that is ever-present. Something that whispers to me that I am so fragile, that I am just another animal.

Worry is a habit that requires cultivation, and I have been heavily cultivating it in my habits. But these mornings of autumn chill and the late arrival of daybreak, I am prone to forget my troubles.

What calls to you upon waking?

Red Fire Days: Autumn in Pivot Rock Canyon

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As an October baby, I have always loved autumn.  Growing up in Southern Indiana, with its poplar, redbud, walnut, and dogwood tree-covered hills, I naturally seek out places in Arizona similarly rich with plant diversity, and especially this time of year.

For those of us living in the desert, it’s necessary to adjust the senses for less garish autumnal finery. Those gilded colors I came to expect in October are hidden in washes and dry creek beds… with the remnant deaths of monsoon wildflowers, strewn against sand and cobble. The drift of fallen sunflowers and wine-hued amaranth fills the roadside ditches. And, the unexpected glance out toward the Estrella Mountains, where the wide Gila flood plains curve under the trunks of gold-trimmed Cottonwoods, conjures up nostalgia.

But, yesterday I needed the symbolic autumn of my youth, the overt heralding of change. Yesterday, I needed canyons.

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So, a friend and I set out to explore one of myriad canyons of the Mogollon Rim, a massive escarpment of limestone and sandstone that defines the southernmost edge of the Colorado Plateau. This is an area rife with deep canyons that spider out and create enormous gorges. The views are so easily lost to bewilderment. With its maze of ponderosa pine and rock, the imagination ponders how easy it would be to descend into one of those unnamed canyons and never be found again.

Our hike, however, led us to one canyon in particular… small in scope and challenge, Pivot Rock Canyon was the perfect choice.

Not really in the mood for thrills and chills, I sought a hike that would allow time for contemplating, tree-gazing, adorning the hair in yellowing oak and scarlet wild geranium leaves and burnt orange fern tendrils. The pace of this hike: easy-going… I’d find its description online, “…good for kids and dogs.” It is a daydreamer’s place, a small, wet capillary in the pulse of an otherwise dry pine body.

Starting out on an old jeep trail, we meandered through a natural park… there, some of the oaks and walnuts had begun to change their hues and a few hallowed aspens danced in pale yellow. The ground was wet from the evening’s rainstorm… the air smelled of fungi, decaying leaves, pine resin… and it was HEAVENLY.

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With my eyes fixed on the canopy above, I could have remained – lost for hours, just lying on a blanket spread on the musty, rich earth, breathing in the leaf-rot as if it could be the finest, most sensory-stimulating perfume.

Felled trees arched trunks and broken branches, downward… everything moved in the direction of slope and cliff, boulder and ridge. I, too, felt as though I had succumbed to the fall. A fall.

It is true. I had taken a rather hard fall recently, one that shook the roots and left me feeling like the only direction would be down with the drift, the torrent of summer storms, bashed and bruised – as any living thing – an instrument of greater change.

In autumn, the earth wears its mask of jewels. The harvest is a time of celebration, but only because we know what is around the forest bend – the dark nights that are closed to growth, the severe “Do not disturb,” the fin of the final reel. It doesn’t matter what yesterday’s intention was. It matters not what was felt. Now is the time we near ourselves to the ticking of choice. Accept or not. That is the inevitability of ends.

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Looking out across a meadow park, my friend and I come upon a stand of massive oaks and the last of the season’s mullein. The quickening wind moves between thoughts and occasional words. It’s important to hike with those whose need for silence matches your own.

At the end of the canyon, the remnants of an old concrete cistern attest to a once active spring. Above us, the faint hum of motorists along Highway 87 snake their way between destinations. This was not to be a long journey. The canyon, though tangled and wild, ends abruptly after a few miles, joining up with its sister canyons along the splintered map of the plateau’s vast rise.

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Canyons have a way of leading us along one adventure, only to dash our hopes with a sudden wall of tumbled rocks, then forcing us along on a different course. The dictates of its severe angles, weather patterns, movement of water…  There is a beginning and end. There are lost trails, twisted ankles, water too deep to avoid.

But, this journey was forgiving and I made peace with the hopeful wishes of being human, of falling against those hard edges and angles I was not prepared to meet. I breathed it all in. I took a last look at the shivering leaves, still beautiful beneath the afternoon sun.

Transition Zones

Deer at night, Jocelyn Lee
Deer at night, Jocelyn Lee

At 1 a.m., the forest is silent except for a nighthawk calling out to an unknown recipient. I turn on my lamp and listen to my dog’s sleeping breath. A captured bark beetle tries to escape my tent, so I unzip the front mesh. I crawl out with him. There are a few visible stars laced between clouds and the coniferous forest canopy. I crouch down and listen for movement. In the distance, a branch cracks. Even though I am unafraid of the dark, the hairs on my arms and the back of my neck rise. It’s a visceral response for our kind, with such poor night skills and carnivore wisdom.

In the morning, we find mountain lion tracks in fresh mud. The monsoon rains have rolled in across the limestone, across the sandstone escarpment, and through the canyons thick with pine. It is hard to distinguish forest floor from gorge. Alongside these prints are several small hooves, the presence of deer gathered near the mouth of the spring. I listen closely, but it is now morning and I am left with only evidence. The lion is long gone. She won’t stay close to the road, with its morning rush of ATVs and trucks loaded with anxious boys and their guns. The deer girls are scattered across the hills, perhaps missing a fella or fawn. I’ll have to be content with my journal and notes, and imagination.

The following night unfolds in a similar orchestra. The mountains create an illusion of silence, of stilled activity. My city ears haven’t adjusted to their music. I strain to hear the slightest conversation between cicadas – or the complaints of skunks meandering through our make-shift comforts. At 1 a.m., that magic hour, a single coyote opens the night with her bloodied ballad for the crescent moon, for her mates – just one coyote singing solo, waiting for response. I can finally sleep.

The next morning, we find more tracks and, beside the picnic table, a  dead junco – in perfect form, as if it had been gently placed on the ground by some benevolent force – small mercies for tender prey.

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It’s 10 p.m. in Phoenix. The towers lean over the backyard as I wait for my dog to pee. The July storms tease with their dust clouds. I say a silent prayer for the storms to finally move through. Next door, in an empty lot, a group of homeless men light a fire in an abandoned porch. Cops circle. Helicopters take critical cases to the hospital on Thomas. No matter what I do with white noise, drugs, deep sleep, meditation, the noise never ceases. I strain to find the silence between adagios. I wait for the rain to drive back the life; to quell whatever bravado lives beneath the desperate walls and hungry bellies.

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I met a guy who swore he’d seen a wolf in the Prescott National Forest. I knew what he’d likely seen was a large coyote. He showed me a picture of a coyote. Instead of telling him the truth, I just nodded and asked him what he thought of it. Naturally, it changed my life, he said, emphasizing naturally.

Another friend claimed her spirit is that of a fox. She has collage of photos of various foxes above her bed: kit fox, red fox, grey fox, and an odd interloper of an Arctic fox, her cool white fur moving invisible with the Ontario snow.

Above my desk, I, too, have an image of a fox. A desert kit fox I saw while gazing at the spirals and dancing bighorns etched onto rock panels a few thousand years ago. The fox appeared as I was about to embark on a long drive across the Colorado desert of Southern California. It was already 95 degrees at 9 a.m.. The air snapped with its own fury.

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On the Mogollon Rim, the surrounding mountains appear as a tintype, a patina. The view of ridges and monsoon clouds frame everything in a dripping emerald and smoke-grey. I walk with my dog out to the edge and find a burnt tree stump to sit on. The landscape has been singed – recently, perhaps a few years ago. Fire rings polka-dot the grasses. Crushed, faded Bud Light cans form an odd little narrative to the pilgrims who come here to escape the heat, caring little for the place itself, or the thousand year old stone flakes marking other arrivals and departures.

These days my mind is equally singed –  scarred with too many worries about paying bills and finding a home. It makes no sense to consider these things here. Fatalism settles into my bones. Two years of chronic worry about the why of things, but I am no closer to knowing. Two years of death, loss, situations that burned everything down to bare sinew and nerve. Being here, I ask myself if I am willing. Will I set more years to blaze? Years that will be no more meaningful than a bird falling sudden on the soft dirt floor.

Over the side of the escarpment, a crow is being chased by a stormtroupe of swallows. His protests meet the distant thunder.